About Fred Hatman

Fred Hatman

Fred Hatman (AKA Howard Donaldson) knew he wanted to be newspaper journalist at age 13. He has worked as a reporter and sub-editor for the Daily News and Cape Times, both based in South Africa and Wimbledon News, Today, London Daily News, The Guardian, The Daily Telegraph and the Daily Mirror, all based in London .

Latest Posts by Fred Hatman

Oh Those South African Flowers…

April 23, 2015 by  


We humans can learn so much from the natural order of things. This is hardly an exclusive, is it? Perhaps, given what is happening in South Africa, it is simply a timely reminder.

Look at the flowers. Gaze at the trees. Yes, watch the animals. Look around you, take notice.

Wise old Mama Nature provides her flora and fauna with what they need and they take what they need from the earth, the sun, the rain, the wind. The plants, the insects, the birds, the animals… they work together. And, together, they overcome the greed and ignorance of man to continue to survive and sustain.

What if governments would take, pardon me, a leaf out of the great book held by Mother Nature to provide equally and unconditionally for the people? All of the people.

What if the people would take what is given them and share and give and give and take with their fellow man?

Look here…

T25-flowers for peace

The yellow flower cares not that the neighbouring flower is of another colour. A flower does not begrudge another its water source or its place in the sun.

They grow side-by-side for the greater good. They co-exist. They seek the light in togetherness. They share all that is good and they grow together and proliferate. Until they die. But not at the hands of another. A flower of another genus, another colour, another family. This would be preposterous.

As preposterous as the milkwood and stinkwood refusing to live beside each other. As absurd as the elephant and the mouse getting stroppy with each other about sharing the land. There are boundaries in nature. And spaces. And watering holes, the access to which is ordered by the strata of hierarchy. And tolerated. But there are no borders. Only those drawn by man.

In the natural domain, there is no South Africa, no Zimbabwe, no Malawi, no Mozambique. No India, no Pakistan. No Russia, no Ukraine. No Israel, no Lebanon. No Britain, no Ireland.

No Section A, no Section Z.

“Imagine there’s no countries
It isn’t hard to do…”

No Christians, no Muslims, no Hindus, no Jews.

“Nothing to kill or die for
And no religion too…”


Imagine the dark, dangerous storm rushing down the great mountain and the gale-force winds blowing through the valleys of your mind. A hard rain falling, the black night hanging cold and wet on your soul.

Imagine the mouse taking refuge under the shelter of a rock, until the might of nature has passed through. The timid mouse might sit there, shivering and shaking. But he fears not that the elephant will seek to take advantage of his fear, his vulnerability. This, too, is preposterous.


“Imagine all the people
Living life in peace…”

Imagine this. Is this preposterous?

“You may say I’m a dreamer
But I’m not the only one,
I hope someday you’ll join us
And the world will be as one.”

Is this crazy? Is John Lennon’s dream of a brotherhood of man absurd? Am I delusional?


But, in my confusion, I am certain of this.

I am certain that, should the chasing down and hacking to death of our fellow man be the natural order of things, then we have not listened.

Should the cutting down of rivals to obtain the power to be in a position to declare war on neighbours to strengthen one’s own place on this earth be the natural order of things, then we have not noticed.

We have not paid attention. We have not learned. From centuries of the failings of man.

An abject failing to honour the simplest of truths.

That the yellow flower and the pink flower respect the right of one another to suck from the same water given by the earth.

Without sucking the life out of each other.

Or hacking into the flesh of the other so that the fertile earth of our land runs red with grief and fear and loathing. And soaked wet with the tears of wives and mothers and children.

Ignorance is no excuse.

Ignorant, negligent and corrupt leadership must feel the almighty storm of dissent and protest and the howling winds of an irrepressible demand for change.

So that we, all of us, may live as one.

That, my friends, is the natural order of things.


* Excerpts from “Imagine”, a song written and performed by the late John Lennon.



The Moon is Carried in a Young Boy’s Heart

January 9, 2015 by  


T25-crystal moon tree


Your magnificence strode the black night road,
Luminous, ominous… sleek, both trick and streak.
Illuminating a path for the shadowy and the humble,
while those next-door obeyed the flicker of the TV show…
You flicked again the switch in the heart of the boy…
who was not afraid to stumble,
In the darkness of his learning…
the way to Joy.



A Tragedy at Kleinbegin & Dusty Bredasdorp

August 5, 2014 by  


An extraordinary thing has happened at Kleinbegin, the dusty Bredasdorp RDP housing area where Anene Booysen had her life, her dignity and her insides ripped out of her body in February 2013.

She has had a road named after her. In her memory. Not just a road… but the road which takes one along the row of very modest houses between two of which she was murdered.

(c) ane booysen road

A large lump lodged itself in my throat when I drove into Kleinbegin and saw this. Somebody somewhere, quite probably at the local municipality, took the decision to pay tribute to Anene Booysen, a daughter of the collective South Africa who was taken so brutally from us.

This greatly moved me. It might seem a rather empty gesture but, as a member of The Gentle Mens Movement, one who has witnessed the trees I planted there disappear, I’m thrilled to see it. And it is permanent. As permanent as anything can be in Kleinbegin.

The place has changed quite dramatically since I first visited a week after Anene’s death. Families have moved into the houses, children play “gangsta games” in the culvert nearby, washing hangs out to dry and dear old Henry’s garden is flourishing in the parched yellow earth.

(c) anene cross & washing

And the rough wooden cross erected by a women’s rights group in Johannesburg holds up one of the washing lines. There is life. And life goes on. As it does. And life goes on for Bianca, a friend of Anene, who is saddened and frightened. But not too frightened to stand up for herself. And Anene. And the many other teenage girls who are routinely abused by the menfolk, who often have their thinking skewed by drugs and drink.

A film-maker friend accompanied me to Kleinbegin on this visit and Bianca had many horror stories to relate. About Anene. And about, how when she, a friend of Anene’s, had spoken the truth about what happened – and what happens – she was threatened by families whose young boys don’t treat girls right. Whose sons somehow have got it into their heads that the female sex are around for just that. Sex. Any time. Any place. Any scenario. Any time they, the boys, feel like it. Bianca is determined to live by the truth of what she has experienced. She is standing up against the abuse. And she is not at all popular in her community.

bianca & isa

I left them to talk and went looking for Ricco, the little boy with the marble eye who had helped me plant a tree or two for Anene and had promised to water them.

He wasn’t around, I was told. He hadn’t been around for my past two visits. His mother was there. She is always there. Lying down. And drunk. I went to see Andrew and, to my amazement, found one of the five “Anene trees” alive and well and living in one of the alleyways. It was the White Pear, the very first tree The Gentle Men’s Movement had planted. There was life. And it had grown leaves. I wanted to thank Andrew for looking after it. But he wasn’t there. I wanted to thank him for giving life to the memory of Anene. For giving life where was none. For giving life after a dreadful death.

(c) anene tree & boy

Life. It is fragile. And it is not easy to navigate when you are a young woman living at Kleinbegin. Somebody’s brother, a boy who has a mother and quite probably a sister of his own, will want you. Will demand to have his way with you.



Tesselaarsdal, Hidden in the Folds of the Klein River Mountains

June 17, 2014 by  



Lucille and I thumped over dirt roads at sparrows’ first intestinal grumblings to capture the rising sun… and were cling-wrapped in a mist so dense I half-expected Prince Charles to emerge chirpily from it with smoking gun.

It was mist and mirrors. Mirrors in dams reflection-specked with waking ducks. Burly farmers bouncing their bakkies over bumps the size of Bulls’ props on their way to the fields. Guinea fowl. Mist. Not much else.

Just an eerie landscape. Almost soundless. Then shattered by the hysterical bleating of sheep that burst out of the mist when I disturbed them while climbing over a rickety fence to grab a better shot. Or perhaps it was M Ward crooning Post-War out from the belly of Lucille?

It was all a swirling-white fogscape of mountains and valleys and water and still-life.




Then Tesselaarsdal. Hidden in the folds of the Kleinriviersberge. Klein River Mountains. Klein. Small. About 30 buildings. And a bottle store, of course. And a church. And a school.

And a person groping through the gloaming to work. And two cars. And Henry, who walked up from his house to watch me eating a banana on the steps of the church. With strange bumps on his face.

Henry delivered to me the history of this tiny hamlet. Fascinating. Google it. I goggled at the sun finally burning through our all-enveloping shroud. And I giggled at Tesselaarsdal’s very own “Little Boutique Hotel”. And goggled and giggled. And roared. Rural humour. Priceless.

After four hours of this white-blanketed tranquility, I decided to drive back to Stanford by way of the Hemel en Aarde Valley and stopped at a H&A Village spot for French toast and bacon. And much-gagged-for coffee. And found elderly tourists with deep frowns on their faces descending into a Sauvignon Blanc mist at 10.30am. Crikey.



Touch Down in a Far-Away Galaxy Place at Uilenkraalsmond’s Alienscape

May 5, 2014 by  


Uilenkraalsmond’s alienscape is near Franskraal in South Africa. It is a place where the houses were patently built by thick-set architects with Seventies sideburns and unironic moustaches. While wearing safari suits and smoking pipes. Which, judging by the plainly weird houses which carbuncle the seafront, must have been filled with Mandrax.

It is a place where men drive bakkies with a hairy forearm hanging out of the window to catch the cooling sea breezes. Or to lovingly grasp a cold Castle Lager.

And where, in the pub, not altogether lissome locals squint at strangers in the way portrayed in that scene in the Yorkshire pub in American Werewolf in London. Like you might have crawled out of the cheese, kept in the galley of the alien spaceship that just docked at Uilenkraalsmond.

Which, if you have ever succumbed to the splendour around the psychedelic waters which flow into the ocean there, where the Black Oystercatchers pluck up gems and hold them to the magical light… is entirely feasible.

In Uilenkraalsmond, it seems entirely feasible that you may, indeed, have fallen on to a new planet. A far-away galaxy place where very little of your previous life is to be found. Except for the warmest glow of the very best day you ever experienced as a child.



Allow the light to dance a sexy cha-cha across your eyes. Walk east to the bridge which locks in the early-morning mist and gather in the sunrise seeping saucily over the dunes. Walk west at golden hour and marvel at the free-style painting of the pre-dusk fire sky. Plunge into the bracing estuarine waters and allow the tide to drift you any which way, gulls swooping and shrieking their approval of your letting go.

Let it go. Let go of you. And just press-play. Child’s play.

Two Oceans Aquarium and Cape Town City Ballet

February 14, 2014 by  


I love birthdays. There is nothing untoward about making a right royal fuss of somebody on their birthday, I say. Especially when it’s mine. 

So, when I was asked by Lovely One (LO) what I would like to do on my birthday, there was little hesitation in demanding an around-the-world cruise.

When her eyes had unglazed themselves, LO pointed out that, even in these modern times, very few maritime circumnavigations of the globe are achieved in one day.

Yes, I’m that old. So we went to the Two Oceans Aquarium and the Cape Town City Ballet production of Les Sylphides and The Firebird instead.

This was huge for me. I don’t know about other Stanfordians but I tend to avoid the Big Mummy City like the plague. All that concrete. And those cars. Trendy people. With over-groomed beards. In a hurry. Yikes.

So I had nearly managed a full year of Cape Townlessness, a record of which I was becoming increasingly proud. It was deep-breath time.

And I certainly had to draw breath very deeply while entranced by the multitude of strange and absurdly colourful marine creatures which swam dutifully around the tanks for me on my birthday. The seahorses, jellyfish and those giant crabs with the facial markings of Samurai Warriors on their undersides particularly had me gasping like a kid who was turning seven on the day.


A crab with a sense of humour

Then, unfortunately, it was time to act my age. On to Maynardville for the ballet. In the open-air theatre in the middle of a park. It was astoundingly magnificent. Spoiled only by the oversized numptie in a black suit who found it worth all the trouble to trundle down the aisle to tell me I was not allowed to take photographs of the ballet. “It’s my birthday,” I said nicely, “and I’ve come all the way from Stanford.”

“I don’t care if you’ve come all the way from Buckingham Palace,” he retorted with irritating wit, his face menacingly contorted in the light of the moon. How rude.

LO emitted a just audible sigh. I behaved. And relaxed into The Firebird, an explosion of athleticism, grace, colour and mesmerising movement under the stars. And the inevitable mating ritual.

Call me a country bumpkin but is it not the case that all ballet, as with movies, theatre and most other performance art, is really about getting it on? Art imitating life and all that. And nature.

Because the sumptuously sexy dance theme of my birthday was yet to end. Homesick after eight hours in the urban sprawl, we decided against staying over and drove determinedly towards the mountain. And through the night, our path home to Stanford guided by the glorious illumination of the moon.

Upon waking the next morning at Hatman Mansions on Blue Moon, the first sound I heard was the mystical “grottling” of our resident pair of Blue Crane, swooping down for their daily posing aside the rainwater lake that remains steadfastly pooled on the fields.

I drank coffee and summoned again into my mind’s eye the beauty of The Firebird. Just then, the male Blue Crane extended his wings, dropped his head and minced over towards his beautiful “bokkie”, preening and prancing suggestively before her. She gave him the beady eye, swirled away in mock horror and looked skywards, eyelashes fluttering while she ascertained whether she felt a migraine coming on or not. They then stood stock-still and checked each other out for what seemed an interminable time before the mating dance began again.

It was just like the ballet of the night before. Blue Crane in tights. And it was just as beautiful.

The Surrealness Of South Africa’s Uilenkraalsmond Will Blow You Away…

October 29, 2013 by  


After attending a two-hour service and being enriched among the green spires at my Forest Church at Platbos Forest Reserve in South Africa, eating lunch with Niel and Gabi at Baardskeerdersbos — and buying a Niel Jonker painting of Central Park — it was almost an afterthought to motor towards the ocean for a sniff of precious ozone.

I fell upon Uilenkraalsmond, an estuary, river mouth and beach and dunes and light and magic, of which I had hitherto had no experience. Unfathomably.


I would be well advised to simply let the pictures roll before your eyes at this point but I want to add a little bit more. When I parked Lucille on the bridge and scrambled down to the dunes to start a pioneering perambulation of the estuary’s edge, it came to me that perhaps I had stumbled across Mars or Jupiter. Or some as yet unnamed planet.

I have visited many breathtakingly beautiful places in South Africa… but, here, in this wild and and slightly edgy, even harsh place, there was magic in the air. There was salty seaspray, a skin-goldening gentle light, yellow dunes, black oystercatchers, red-rust and canola-yellow ripples and no humanoids in sight.

I mused that it was I who had been delivered by the Starship Lucille to a strange beachscape of rainbow hues and slowly shifting sands as an ebullient rain-swollen river burst forth into the sea, collapsing sand on either side of it.

I was entranced. And all I could do was to wander there, wonder at it all and capture what I could on camera for the humanoids back home.

Please come to roll with me in a glorious embrace of nature’s magic…


























Time to fly home.


Bodhi Khaya, A Place to Resort, Rebuild & Nuture Your Spirit

October 14, 2013 by  


 After four years, I returned to Bodhi Khaya Retreat, a place that gave me the time and space to recover from a broken marriage, a broken business, a broken connection with my dead mother… and, yes, a broken heart. Bodhi Khaya saved me. It challenged me. And it rebuilt me.  A very nice lady allowed me to live there for three months. In return, I was expected to feed the chickens and tend to the plants in the circular organic vegetable garden and among the labyrinth. And pull out weeds. So I did.


But I spent most of the time drinking humungous mugs of tea, smoking and staring at the mountains. And pulling out the dead and blackened and alien invaders that had occupied my heart. Clearing. I learned to meditate. And realised I had been doing it all my life. While sipping cold tea. Cleansing…



I also learned to take off all my clothes and roll naked in the mud at the magnificent little waterfall that was hidden off one of the many paths leading up the mountain. Liberating. I stood outside the kitchen at night, after being the last to leave and switching off the lights. I stood in the blackness of the Overberg night, under the ancient tree…and didn’t flinch when the bat flew so close to my face that I felt its wings brush my face.


I sneaked my little CD player into the retreat and lay awake, listening to the frogs croak a million different notes…and the baboons argue over the best place in which to sleep in the blue gums, while Neil Young comforted me.

Not very Buddhist. But still replenishing.



And then I would creep up through the dark grass, hoping I would not step on a snake, up to the reservoir and swim silently in the cool water on a hot summer’s night.

While the water rocked against the walls and lapped over my floating body as I watched the stars.

With sufficient moonlight to see the dead frog fraying and decaying on the bottom…

And wishing I was “skinny dipping” with the Woodstock artist with the perfect body and fragile eyes.

But we were dead too. So I touched her perfect body with my mind. And got cold.

And warm. When I met a wise man. From Hawaii. Who filled my head with Rumi. And helped me find room in my heart…

to start again.

Bodhi Khaya is situated on Baviaans Fonteyn Farm, the oldest in the area. In 1791 the farm was granted to Dirk Cloete, son of Hendrick Cloete, owner of Groot Constantia and one of the Cape’s largest landowners at the time. The land has been divided, changed and re-shaped since then, but the present owner, Georgina Hamilton, has carefully created a sanctuary for those who wish to explore the thoroughfares of the heart and mind. Today Bodhi Khaya is an open and welcoming spiritual home for all.

Bodhi Khaya blends Buddhism with South African culture. ‘Bodhi’ means ‘awareness’ in Sanskrit and refers to the Buddha’s knowledge when he attained enlightenment 2500 years ago, while ‘khaya’ goes beyond its better-known meaning of ‘home’ to express a sense of belonging and a spiritual base.   Building on the traditions of our physical and spiritual ancestors, Bodhi Khaya is a spiritual haven for those on their journey to awakening.

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