About Rich Laburn
Rich Laburn is filmmaker, photographer and writer who is based at Londolozi Game Reserve in South Africa. Spending his time capturing scenes of the wild and communicating the beauty of the African bushveld, he runs the Londolozi Blog as a way to entertain and engage people wishing to visit these wild lands.
Latest Posts by Rich Laburn
Join me for dinner at the opulent Le Gavroche in London, a walk through the Columbia Flower Street Market (that will leave you in awe), and food markets to feast your eyes on.
The famous Soufflé Suissesse – Cheese Souffle cooked in double cream, made for the Queen over 40 years ago and still an incredible and consistent signature of Le Gavroche.
Something very rare – Oeuf de Mouette Asperges et Caviar – Poached Gull Egg with Oscietra Caviar and Asparagus Tips. These Gull Eggs are only found for five weeks of the year during this particular time – imagine the texture of softly poached gull eggs with the subtle crunch of asparagus and caviar melting in your mouth…
Salade de Crabe et Crabe Mou Frit Tomatoe et Balsamic Blanc – Portland and Soft Shell Crab Salad, Tomato and White Balsamic – another incredibly delicious plate of textures and spoils.
Although Emanuel put together our menu for the evening together with Michel Roux Jnr himself, we insisted to have our favourite from each year!
Coeur d’Artichaut “Lucullus” – Aritchoke filled with Foie Gras, Truffles and Chicken Mousse – mouthwatering and sensational – a must for anyone dining at Le Gavroche.
Homard Pôché Parfumé à la Citronelle et Coco – Butter Poached Lobster, Coconut and Lemon Grass Bisque Sauce – simple, light, tasty and full of subtle flavours
Filet de Veau Rossini – Veal Fillet with Foie Gras and Truffle Madeira Sauce – extremely rich and decadent.
My all time favourite ending at Le Gavroche – the Cheese Board. An amazing selection of Cheeses from all over the world and this year a five year old Cheddar that I’m still thinking about!
During our dinner at Le Gavroche, Emmanuel found out we were travelling to Marlow the following day so insisted that we make a stop at The Waterside Inn. “Guided by the inimitable Alain Roux – whose passion for food is a reflection of his father’s – this team continues to create food that delights even the most discerning palates.”
Due to Londolozi having three Relais & Chateaux, camps, it was an honour to visit and dine here. Diego Masciaga’s dedicated commitment to service and hospitality clearly showed me why this establishment is unashamedly one of the best. We had the pleasure of meeting him and he coerced us into not only a canapé and a glass of bubbles, but a four-course lunch!
Émietté de tourteau du Devon au naturel, crémeux Du Barry et caviar osciètre “Royal de Belgique” – Flaked Devon Crab with a smooth cauliflower cream and oscietra “Royal Belgian Caviar” – this dish was not only so pretty (note how they have thinly sliced the cauliflower and dipped in beetroot juice to replicate the look of coral!) it was light and delicious.
Fleur de courgette farcie aux senteurs des sous-bois et sa palette de primeurs du Val de Loire agrémentés d’huile d’olive à la truffe écrasée – Courgette flower filled with wild mushrooms, spring vegetables tossed in a warm olive oil with chopped truffle – a highlight of my lunch as all these flavours were incredible together – sadly this was the last week it was being served due to the seasons changing.
Tronçonnettes de homard poêlées minute au porto blanc – Pan-fried Lobster medallions with a white port sauce and ginger flavoured vegetable julienne
And why not end off with not just one dessert but a few?
Outside The Waterside Inn in the rain. Big smiles on our faces as it was a day to be remembered forever – Thank you Diego and your amazing team!
A new find for me this year was done by Alex, who insisted that she take us to the Columbia Flower Street Market. What an incredible street – imagine a road, filled with flowers of every variety – the scent of fresh peony’s, sweet peas, hydrangeas and roses – the flower sellers shouting their prices loud and clear as we strolled through the rain! I felt as though I was on the set of My Fair Lady (one of my childhood favourite movies). A great morning out and something I would recommend everyone visiting London should do.
As you may remember, one of my favourite things to do is browse markets and this year Borough Market was once again on our Saturday itinerary. There’s nothing better after your first cup of coffee, than finding the place for the best bacon ‘buttie’ in the world! Then feasting your eyes on the pure and utter beauty of food, breads, Turkish delights and the market buzz
Another all time Anna favourite – Turkish delight. This year, the newest flavour was Pomegranate and Cherry. Needless to say many of these were devoured. The breads were incredible and taken as an inspiration for our new baker the fabulous and passionate, Brite Ncube (watch this space for his story coming soon).
Never one to dismiss a glass of fine wine, once again I was spoilt beyond belief. I couldn’t help think of Kim Drake, our resident Sommelier who readily agreed that I was a very lucky person! Below are a few wines of the many that were served at La Gavroche and The Waterside Inn.
From left to right: the first three-courses were enjoyed with these wines.
Le Gavroche wines and an incredible 20-year-old Port which accompanied my cheese
Some of the wines tasted at The Waterside Inn…
Even though my tummy was quite full and my senses were charged, I still managed to fit in another four of London’s finest dining establishments. Keep feasting your eyes as there is more in store next week.
Written and Photographed by chef Anna Ridgewell
The cool, fresh morning air in southern Africa brings about an excitement that can be felt by all as a new day begins presenting new challenges and new possibilities. The energy radiates off the animals as they eagerly await the first warm rays of sunlight. Enjoy the skies, the sunlight and the animals.
I always feel blessed to be able to start my day in such an incredible manner. A beautiful sunrise. ISO 640 F4 1/8000
A Mhangeni youngster prepares herself for another day. ISO 1000 F4 1/1250
A young hyena anxiously awaits mom’s return. ISO 1250 F2.8 1/640
The striking contrast in colours of a hornbill is always a favourite of mine to try capture. ISO 400 F2.8 1/2500
The Tsalala youngsters are all starting to come into their own as their scruffy manes start to develop. ISO 1000 F2.8 1/640
A male cheetah spends the last dying moments of the day scanning the area and soaking up the last rays of sunlight. Iso 200 F2.8 1/2000
Something I have waited over two years to see. The Tsalala pride crossing the Sand River. Iso 800 F5 1/2500
A hammerkop patiently waits for fish and frogs to be washed over the causeway. ISO 800 F4 1/1000
Young and inquisitive, it is always fascinating watching young animals explore new smells and sounds. ISO 1250 F2.8 1/125
The Mashaba female rests in a clearing late into the afternoon before disappearing into thicker vegetation. Iso 800 F4 1/320
This cheetah uses a mound to scan the area for any potential prey or threat which allowed us a great eye level look at this magnificent predator. ISO 1000 F2.8 1/800
Side light often creates a different angle and highlights key features. A Tsalala lioness strolls off and disappears into the darkness. ISO 1000 F2.8 1/125
Breaking the rules of photography can sometimes work in your favour. In this image I purposefully shot a tight angle to emphasise the golden light on the zebra’s face. ISO 800 F5 1/2000
The contrasting colours of black and white shows off the power of the newly dominant Piva male. ISO 800 F5.6 1/160
The variated colours of the sunset was a wonderful way to end off yet another successful week in the bush. ISO 640 F7.1 1/4000
Written and Photographed by: Trevor Ryan McCall-Peat,
Scars –untold stories of hardship and aggression but also of a brotherhood and support. New lions to the area with an unknown history. Lens 500mm Nikkor , ISO 800, Aperture f4.0, Shutter Speed 1/2500sec.
Ears – hearing is the link between the unknown and the seen. When vision is cast elsewhere gaps can be filled by the airwaves. Lens 500mm NIkkor, ISO 1000, Aperture f4.0, Shutter Speed 1/1000sec.
Hunger – a drawn in stomach indicates the need for a meal. Starvation or life.Motivation does not come in more potent forms. Lens 500mm, ISO 800, Aperture f5.0, Shutter Speed 1/1000sec.
Contact – physical touching rarely seen in a solitary species. Lens 300mm Nikkor, ISO200 , Aperture f2.8, Shutter Speed 1/1600sec.
Reflection – mirroring or showing an image; a thought taking place in consideration or meditation. Are they capable of the latter? Lens 500mm Nikkor, ISO800 , Aperture f4.0, Shutter Speed 1/400sec.
Camouflage – the act, means, or result of obscuring things to deceive. No longer necessary after years of gained trust. Lens 500mm Nikkor, ISO 1000, Aperture f4.0, Shutter Speed 1/160.
Ripple –a small wave or series of waves on the surface of water. Not necessarily restricted to water and waves but actions of life. Lens 500mm Nikkor, ISO 400, Aperture f4.0, Shutter Speed 1/2000sec.
Movement – an act of changing physical location. These changes are a daily occurrence but the shift of territory is on much slower scale. Lens 500mm Nikkor, ISO 500, Aperture f5.0, Shutter Speed 1/2000sec.
Teeth – shapes and sizes differ but the function remains the same. Lens 200-400mm Nikkor, ISO 1250, Aperture f4.0, Shutter Speed 1/320sec.
Whiskers – an addition to the sense of touch, a 6th sense if you will. A guide when all other senses are momentarily insignificant. Lens 300mm Nikkor, ISO 800, Aperture f8.0, Shutter Speed 1/800sec.
Focus – the state or quality of having clear visual definition. The clarity of which could mean the difference between a meal or an empty stomach. Lens 300mm Nikkor, ISO 800, Aperture f2.8, Shutter Speed 1/640sec.
The focus of this post was on the photos so I thought I would let them have their say before I had mine. A brief connection that we hold onto for as long as possible and once it’s gone find ourselves chasing it again. The selection of images above are some of those moments, many I have not been able to capture. I feel that photographing wildlife cannot be forced and the moments, particularly the great ones, are opportunities where for a short time everything comes together. Such moments can’t be setup; they can only be captured if the time is right.
The bulk of the images above are all shot with longer lenses. I love being able to use long lenses to create a sense of intimacy. I also enjoy shooting with a very low aperture and a shallow depth of field to really focus attention for my intended subject within my subject.
I hope you enjoyed my small collection. Which one did you enjoy the most?
Written and photographed by Simon Smit, Londolozi ranger
There’s nowhere more magical to shoot than in the African bush — the skies, the light, the animals, the energy, the vibrancy. “Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever… It remembers little things, long after you have forgotten everything.” – Aaron Siskind
Working and living in the bush, you soon realize that memories fade with time so it’s important to capture them when you can. Yes there are moments that stand out in a ‘highlights package’ for me, but there are also moments that have been put into a box and stored in the back of my mind.
Photography allows us to capture moments and provides us with a key to reopen this box, to relive, to remember, to share moments and to inspire. I often find myself lost in the images of other photographers, captivated by the story they tell.
A good photograph is not just one that is sharp and well composed but one that tells a story without the use of a single word.
It’s not just about photographing a subject in perfect light, unobstructed by a blade of grass and at a unique angle, but the opportunity to be able to take that moment that you share with your subject, to set a mood or evoke emotion with a single image.
I would like to share some of my photographs that mean something to me. I want to unlock the box and bring back memories of the special moments that I have been lucky enough to be a part of, and I want to share them with you. It’s also interesting what you can tell and “see” from looking in an animal’s eyes in the bush!!
Composition and spacing of an image is a good way to create a mood and a feeling in a photograph. The Tutlwa female and Gowrie male mating. Iso 1250 F 4.0 shutter 1/400
Using a Lower F-Stop allows for a concerntrated inage of your subject. One of the fourways males on a patrol looking confident and powerful. ISO 800 F 2.8 Shutter 1/800
The Tamboti young female walks towards us at eye level. Often having the subject at eye level creates a feeling of being one with the subject as well as adds intensity. Iso 640 F2.8 shutter 1/2000
The b eautiful and elegant Mashaba young female. Using a spotlight to create side light brings out key features and highlights the natural beauty of an animal. Iso 1000 F2.8 shutter 1/125
Taking advantage of good light and tight angles shows off beautiful details and textures. This water monitor was sunning itself at the causeway . Iso 800 F4.0 shutter 1/1000
The Tamboti young female. Once again composition is key, Creating space for her to look into gives a great feel and setting for the photograph. Iso 1000 F 4.0 Shutter 1/250
One of the Fourways males – Using the natural light to my advantage and darkening shadows creates a feeling of power and strength.
Hi-key images enhance detail and add character to ones subject. This hyena was watching vultures circling above. Iso 800 F2.8 shutter 1/800
One of my favourites – Lying down on the floor and using a low F-stop blurs the foreground as well as the background which, in turn, draws the viewer’s focus to the subject. Iso 800 F2.8 shutter 1/2000
One of the fourways males resting in the shade of a tree with beautiful dappled sunlight allows for a beautiful black and white finish. Iso 800 F4.0 shutter 1/800
A very similar to the image of the Fourways male. Post processing allows me to enhance key features in the image such as horns, eyes and mouth. Iso 800 F2.8 shutter 1/200
Do any of these images tell a particularly interesting story for you?
Written and photographed by Trevor McCall-Peat
Wine is my passion and I have an extreme thirst to know and learn as much as I can on this topic. I have never experienced the South African Cape Winelands during the harvest period and therefore decided to get my hands dirty and head down to the Cape during February to learn a bit more about how wine is made, to pick grapes, and of course, to taste some wine.
On my arrival in the Cape, I headed up the West Coast to a quaint and unique wine growing region called Darling, here I was hosted by Sandi Collins from the Marmalade Cat, Shaun and Debbie McLaughlin of Darling Tourism, and Charles Withington from the Darling Wine Shop.The people in this small town are extremely passionate about Darling and promoting tourism in the area.
The town was originally put on the map by Pieter Dirk Uys, better known as his drag queen alter ego Evita, but it is slowly becoming better known for the unique and delicious Sauvignon Blanc produced from this region. There are only six wineries in the direct vicinity but what was really interesting to learn is that the demand for Sauvignon Blanc grapes from this area is highly sought after and many wineries purchase grapes from the region each year for their wine.
The rolling hills of Darling. Courtesy of Darling Tourism
After a day spent exploring the Darling Wine region, I began my first day assisting in the Steenberg Vineyards cellar in Constantia. Here I met with winemaker JD Pretorius (who won the Diners Club Young Winemaker of the Year award last year). I was assigned to help the cellar hands, Alex and Michael, check brix levels (sugar levels) on fermenting grape juice as well as fill wine barrels with their flagship Rattlesnake Sauvignon Blanc. The first thing I learnt here, and was reminded of throughout my trip, is that wine cellars are very wet areas during harvest time! The reason is that everything is kept as hygienic as possible so that no taint affects the wine in any way, thus there is always a constant stream of water cleaning utensils, barrels, tanks, floors, etc.
Filling barrels at Steenberg
Sauvignon Blanc grapes falling into the press
The Franschoek Wine Tram Experience
As I often get enquiries asking about the Franschhoek Wine Tram experience, I spent a day hopping on and off the tram to find out what it is all about. Based in Franschhoek, the tram was originally built in 1904 to serve as an alternative to ox drawn carts for farmers wanting to get their produce to market. There are two different routes one can choose, the Blue Line or the Red Line. Part of the tour is done with the tram and part on a converted tram-bus. Some of the wine farms along the route produce excellent wines while other farms sell your everyday easy drinking wine. It is a fantastic experience and a great one-day option for anyone who has a day to spend in the winelands. The scenery is superb, and I met a lot of lovely people who did the tour for the day.
The Franschhoek Wine Tram
My next cellar experience was at Graham Beck in Robertson. Here I met with winemakers Pierre de Klerk and Pieter Ferreira, South Africa’s King of Bubbles. First I got a tour through the cellar and saw how Methodé Cap Classique once riddled (via means of a gyro palate) entered a bottling line, was disgorged, had dosage added, and final cork inserted, from start to finish. I was then assigned to assist cellar hand Joan Munné Parera, a winemaker from Catalunya in Spain doing an internship in South Africa and learning how to make MCC.
Barrel Cellar at Graham Beck
Aerating Chardonay that had become stuck with ferment
Our first task was to aerate some Chardonnay which had become “stuck” during fermentation; we basically had to give the wine some CPR so that the yeast could thrive again and continue fermentation. After this we inoculated some Viognier tanks with yeast so that fermentation could start. The yeast first needs to be hydrated, slowly woken up, and fed before it can be added to the grape juice, a bit like looking after a baby. We then racked some Pinot Noir off the lees and pumped the juice into clean tanks. An important tip I learnt: be extremely careful when opening up a tank from which wine has just been pumped, when wine ferments one of the by-products released is carbon dioxide, this remains in the tank as it hasn’t been able to escape – and it gives quite a knock! I was granted the opportunity to taste various base wines after fermentation. These are wines which had just finished fermentation and have had nothing done to them yet in terms of maturation options or blending. It was extremely interesting to learn from Pieter Ferreira how various terroir and growing conditions have massive effects on various base wines.
Leaving Robertson, I returned to Franschhoek to meet up with winemaker and General Manager Karl Lambour at Grande Provence. It was fascinating to see how winemakers are constantly experimenting with new technology to make the best wine possible and at the same time improving on old techniques. Karl is experimenting with flexcubes which are plastic containers which have various levels of porousness, thus simulating a wine barrel by allowing controlled amounts of oxygen to mature the wine.
Another interesting project Karl is working on is an orange wine made from 32-year-old Chenin Blanc wines. Orange wine is white wine that is fermented on the skin to pick up some extra tannin, flavour and colour. Now a few people in South Africa have started doing this but what makes this one rather special is that he has fermented and is now ageing them in terracotta amphorae from Tuscany. It is going to be very interesting to see how this wine turns out when it is a finished product.
Terracotta amphorae from Tuscany.
Vineyards at Waterford
After Franschhoek I headed to Waterford Estate in Stellenbosch, this was my first harvest experience. We had to harvest Shiraz grapes. This is one of the most intense experiences I have ever had. The harvest team split themselves into two groups. They then “raced” each other through the vineyard to see who could finish the harvest first but at the same time ensuring that the grapes they were picking were of good quality and that no leaves, insects or other items were ending up in the grape baskets.
It was extremely fast paced, running up and down the vines, clipping grapes off and trying not to have my fingers clipped off at the same time, diving under vines to get to the next row.
Once I was sufficiently out of breath, I went down to the cellar where I got to watch Sauvignon Blanc coming in to the cellar, de-stemmed and pumped into tanks with winemakers Mark le Roux and Kevin Arnold. Chris Faure did a wonderful wine drive through the beautiful property of Waterford Estate, this was a very educational drive in terms of learning about the flora and fauna of the area. The wine and snacks which were beautifully presented at various stops on the drive were also a great treat.
Shiraz grapes falling into the de-stemmer
Harvesting at Waterford
Barrel cellar – Waterford
The Hemel-en-Aarde Valley was my next stop where I attended the Bosman Vine Garden Tasting. The Bosman family, in collaboration with Vititec, established The Vine Garden at De Bos in the Hemel-en-Aarde Valley in 2006 and the 22-hectare vineyard boasts 47 different cultivars. Here I got the opportunity to walk through the nursery – a chance to taste various cultivars and clones and listen to where the industry is headed. Apparently the next big thing to be planted in South Africa will be Nero d’Avola, a varietal grown in the South of Italy. It was amazing to experience how various clones of one varietal varied and how typical notes expected of varietals could be identified in the grape before the juice had undergone fermentation.
My next stop was Rustenberg Wines in Stellenbosch where I was hosted by the Barlow family. Rustenberg has always been one of the most beautiful wine estates for me and it did not disappoint. I learnt a lot about various disease and pests which affect the vines from Murray Barlow. I harvested a bit of Sauvignon Blanc with the harvest team, the pace was slightly slower than earlier in the week at Waterford, but the harvest team had already harvested over 200 tons of grapes that week so they were slightly worn out.
Nick van Zyl showed me the ropes in the cellar and we inoculated some grape juice with yeast and then “fed” nutrients to the fermenting flagship Rustenberg 5 Soldiers Chardonnay to keep the yeast healthy.
Murray Barlow from Rustenberg
Sauvignon Blanc vineyards at Rustenberg
During my trip I visited many fabulous wine farms, tasted delicious wines, and met some great people. The above is definitely the highlights package and if I don’t stop here I may begin writing a novel… Thanks to all the wine farms that hosted me and let me play around in your cellars, I hope I didn’t cause too much havoc!
On a final note, although harvest arrived two to three weeks earlier than normal across the board, due to earlier fruit set and a slightly warmer year, every farm I visited was extremely excited about the 2015 harvest, the fruit quality is excellent and we can expect some fabulous wines from this vintage, something to look forward to!
Written and Photographed by: Kim Drake.
What would your day be without an extra touch that says, ‘relax, you’re on holiday’? One of the ways we do this is through a little something special whether it is a coffee in the morning, or a gin and tonic at sundowners or the world-loved creamy textures of Amarula that so perfectly compliments the tones of a sunset. You don’t need to worry as there is always someone on hand whether it is your guide or camp manager who will bring you enough of the good drinks. Swivel the ice in your glass, sit back, and enjoy the best of Africa’s safari drinks.
The point is: simply being in the bush is enough, even if you don’t come across a lion or leopard. To have great sightings is a bonus, and as you’ll come to realize, a sundowner on drive can add the final highlight to your day.
What would your choice be? My choice is Amarula on ice, made from the plum-like fruit of the marula tree, a popular choice that has become synonymous with safari lifestyle.
I stand outside our vehicle. The heat of the day has evaporated and a cool breeze runs along my arms. The time of day has come to reflect on what has been, to reminisce about the experiences shared and to simply be. Insect sounds vertebrate through the bush, and as a blanket of darkness descends on another day, frogs begin their nightly chorus. It is time to indulge…
A honeymoon couple enjoy a sunset drink. Here are some fun safari choices.
Gin and Tonic:
This is the ultimate classic safari drink to have at the end of your day while you’re in the bush experiencing the golden hues of a sunset.
Directions: A shot of gin topped with ice and filled with tonic. Add a wedge of lemon.
The Spirit of Africa:
Amarula: ‘One of the world’s most favourite cream liqueurs.’
Amarula: simply delicious
The drink is best enjoyed on game drive. An early morning cup of coffee with a shot of Amarula is a good way to kick start your day. Add in and enjoy the delicious flavours. At night, gather around a fire and have as a nightcap.
Directions: Delicious poured over heaps of ice.
Crafted in Nature:
Local Craft Beers
South Africa has a thriving microbrewery industry that has taken the country by storm with a fantastic range of craft beers. Today the country boasts over 40 different microbreweries. The names of the beer are inspired by endangered or misunderstood wildlife. Some craft beers in southern Africa include: Darling Brew, Brewers & Union, Cape Brewing Company, Everson’s, Devil’s Peak and Citizens Alliance.
The Darling Brew range. Courtesy of Darling Brew
Unwind from a day in the bush by cracking open one of these refreshing beers.
The Celebratory Drink
“I only drink Champagne when I’m happy and when I’m sad. Sometimes I drink it when I’m alone. When I have company I consider it obligatory. I trifle with it if I’m not in a hurry and drink it when I am, otherwise I never touch the stuff unless I am thirsty” – Lilly Bollinger
There’s always a reason to celebrate and therefore to drink champagne! Bubbles represent sophistication, glamour, elegance, luxury and happiness…
To be enjoyed on a special occasion
Directions: Best served chilled.
Rock Shandy with or without a twist
A wonderfully refreshing drink. Amanda Ritchie
A rock shandy is a wonderfully refreshing drink to quench your thirst on a hot day. The low alcohol content of a shandy makes this drink a popular choice for those wanting something a little more on the tame side! Shandy can however be made to your preference. Why not add a shot of Vodka to give it a twist!
What is your favourite Safari drink? Share your favourite in the comments below.
Traveling in nature and being out in the wilderness is a life changing experience for most. But, for photographers, it can be the experience of a lifetime, especially if they’re in the middle of untamed territory or shooting wildlife on a safari. Photographic subjects are plentiful – as are the vistas and landscapes that fill each view. Wild animals, which many people have only seen on wildlife documentaries, walk past mere meters from you, often stopping to stare back at you, providing an image, and a memory, that many would turn green for. The same goes for fast moving objects in a city you’re trying to capture.
One of the most challenging things for photographers is to keep the camera steady in order to produce a crystal clear shot. There is nothing more frustrating, or heartbreaking, than composing the perfect shot, with the perfect light, only for it to come out blurred because of camera shake.
Luckily there are a few great pieces of gear available that will greatly decrease the frustration and heartbreak of a shaky shot.
The Sturdy Monopod
The monopod fits somewhere in between the versatile beanbag and the steady tripod. Using a monopod (which is quite literally an adjustable arm that attaches to the camera or lens as a tripod would) allows you to steady your shot on the ground or floor of the vehicle, while still giving you the freedom and room to move with the animals as they move.
Using a ball head mounted to the foot of your telephoto lens will give you that much more freedom to move around. Monopods are easy to transport and very quick to set up, positioning it as a great alternative to a heavy tripod when looking for a steady shot.
Pros of the monopod: Lighter than a tripod, quicker to set up in a hurry and easy to transport
Cons of the monopod: Not as sturdy as a tripod for those more intricate shots, can be difficult on a game vehicle to position if there are lots of fellow guests aboard. The monopod is lighter than a tripod and easier to carry around
Quick Tip: Mounting your monopod to the foot on your lens, and then positioning the ball head on the side of the monopod will allow plenty of flexibility to take portrait and landscape shots in quick succession with minimal fuss or adjustments.
The Numble Bean Bag
This is probably my favourite piece of gear when it comes to stabilizing my camera on the vehicle, purely because of its versatility. The beanbag is, quite literally, a material bag filled with beans. It can be quite heavy to lug around, but comes into its own when in a precarious position on the vehicle when trying to capture nature as it happens.
Perch the beanbag on the seat in front of you for great eye-level shots, or simply place it on your lap, or knees for an interesting angle that you may not get when shooting hand-held. A beanbag is also really handy when you have jumped off the vehicle for a sundowner, where you can rest the bag on the bonnet of the game vehicle to capture one of the incredible landscapes or sunsets.
The bean bag can be shaped into the best position for getting the shot you desire
Pros of the beanbag: It’s versatile, easy to transport and store, and a quick solution that will really guarantee shake-free shots.
The easy to use bean bag is also light to carry with you and on your vehicle
Cons of the beanbag: It can be heavy to travel with and will never be able to take the place of a tripod when you really need that height, or don’t have something to rest the bag on.
Quick tip: If you haven’t got access to a beanbag, make your own by filling a Ziploc bag with pistachio nuts. The beanbag will work well to stabilize your camera, and the nuts will take the form of a healthy snack. Pistachios work best, as the bag will remain full of shells even after all the nuts are gone. Once all your shooting is done, simply throw the Ziploc bag away, and continue on your travels.
The Trusty Tripod
The tripod is probably the first piece of gear photographers think of when wanting a clear shot. They come in all shapes and sizes, and definitely hold their place when it comes to stabilizing a camera with a lens on the larger side.
For me, the tripod comes into its own when I want to make 100% sure that the shot I am about to take is set up correctly. There is something about using a tripod that slows you down, and makes you consider the shot, composition and lighting more deliberately. There is also no substitute for the tripod when you want to get a little bit more creative with your shots, whether it be capturing a star-trail, emphasising the flow of water by leaving your exposure open or capturing a dramatic bushveld storm – lighting and all.
A tripod allows you to think more carefully about the composition of your shot
Using a tripod is imperative for capturing night scenes and stars like this. Photograph: Rich Laburn
Pros of the Tripod: The ultimate steadying tool, it allows you to create the perfect shot, both in composition and in creative flare by taking full control of the body and lens, leaving just the light for you to control.
Cons of the Tripod: Impractical when you need to move with the rhythm of nature, can be bulky and heavy to transport
A handy tip: hang a bag onto your tripod to give it more weight to counterbalance a bigger lens
Quick Tip: If your tripod is on the lighter side, hang a bag filled with equipment (or stones) from the tripod to give it more weight to counterbalance a bigger lens.
Written and Photographed by: Amanda Ritchie
Three sunset images in the South African bush that will make you want to visit again….and again and….again. It’s called the “spirit of the bush.” Enjoy!