About Sambrita Basu
Sambrita Basu is a food-fascinated travel writer and photographer based out of Bangalore India. A background and a degree in hospitality and restaurant management paved her interest in food. As the secretary of the institution’s editorial club, she contributed regularly and wrote about food in their annual magazine, A la Carte.
Sambrita has published interviews of celebrity authors and business veterans in international publications like Infineon. Her contributions also include photographs on foods and restaurants of Bangalore for DNA—a leading newspaper publication in Bangalore. Sambrita’s creative expressions transport readers to alleys, hotels, hide-outs, restaurants, attics, and spice markets in several cities across the world.
Sam (as she is popularly known by her friends and family) doesn’t write for a living, but she lives to write.
Latest Posts by Sambrita Basu
Goa is not just exciting and beautiful, it’s intensely addictive too. I don’t know anyone who claims to be bored of Goa, no matter how many times they have already gone. Take me, as a case study. Five visits already, and still not tired of it. Different kinds of visits. First there was the first time. The time when I managed to stay fairly sober all through the trip, observing nuances of the place, constantly watching the wallet for a few notes and what leisure could it buy me, with just one good meal in my little black dress at the Taj at Fort Aguada (that was on my birthday, and it was a deserving one!).
Then there was the next trip and another two after that, where I was perhaps rolling a sneaky joint in my room, dancing to ‘Cotton eyed Joe’ at Tito’s and on a spending spree to buy hippie clothes which I would possibly wear on another next beach trip. Goa has always been a place, where, for a change, I would have never done any research on, before the actual travels would begin. It was always about telephoning my favourite shack in Palolem for a reservation, strut merrily into the coco-huts when I reach, rent a bike from the corner garage..and jiggling into little carefree dances here and there.. on the beaches, on the bike, in night markets, or swimming in the sea. It was also about reliving Bollywood fantasies, where three thick friends can go on a roadtrip to this land of beaches, beers, gossip and glares!
So, predictably, when it was time to make a family vacation to Goa,there had been a large amount of eye-rolling staring at myself in the mirror. I couldn’t imagine that I was going to Goa, a place I had synonymous branded with society dropouts and backpackers who want to spend their days getting high on glorious beaches while listening to Goan trance, but would have to hire a car, not a two wheeler; stay in a resort instead of a shack. It was almost like visiting a ‘new’ Goa. A new Goa, a chic Goa, one that involved culture and luxury instead of beach shacks and bongos, one that Hollywood A-listers such as Angelina Jolie and Brad Pitt had travelled to, and all the new rich Russians loved, thanks to its warmth and its relative proximity to Moscow. A one, that I will spend with two restless kids and a colourful set of parents!
This time I had to plan every finer detail. Make itineraries that suited the parents and made the kids happy. So, this summer when we visited Goa, I needed to book a resort. A resort in Goa, is not what I am used to, you know. So, when I laid my first step inside it, I really wondered if we had got our destination wrong. Then I saw the pool, a vast blue lagoon shaped pool that were draped with coconut trees like an organza veil, and all worries evaporated (hard not to in the heat). Luxury hotels (not that I haven’t stayed in one before..!) can also feel ridiculously intimate with their giant beds and baths sometimes when you have warm company. While the two of us could have spent our days reading, we did otherwise and did some touristy things in Goa. And surprisingly- loved it! It was novel.
Like gallivanting off to Old Goa, returning with tales of Catholic churches and Hindu temples and a city abandoned in the 16th century due to outbreaks of incurable diseases.
We bought flower wreaths and wore hats.
We let each enjoy the sea in their own ways. Some of us did cartwheels, some wanted to see the sea upside down. Some of us heard the sound of the ocean while lying on the sand, and watched the waves at eye-level. Some of us ran a mile everyday (not me!). And, some of us ‘plain vanilla’ types just took to swimming in the sea!
We strolled along the beautiful promenade at Dona Paula and watched cliffs being lashed by the sea.
We took the kids and the parents on the sunset cruise over Mandovi, and it was really beautiful.
“Mamma, does Barbie and her friends live here?’, she asked. But of course! Where else can anyone find doll houses painted in pink, purple, green and orange in a row? The most beautiful part of our little summer trip was discovering the neighbourhood and tiny bylanes of Fontainhas, in Panjim. Bairro das Fontainhas, or the “quarter of Fontainhas”, sits at the foot of Altinho, an affluent hilltop area in the centre of Goa’s capital city Panaji. Author William Dalrymple described it as a “small chunk of Portugal washed up on the shores of the Indian Ocean”. You are transported to medieval Iberia,walking through these streets. The narrow lanes are flanked by majestic old villas, with elaborate Azulejo tile work on their doors announcing the occupants’ surname—Andrade, Vaz, Botelho, Pires, Affonso. Many of the old houses had been converted into boarding lodges. Most of the houses had a similar design; big windows, red tiled roofs and ice cream colored walls, and reminded me of Mario Miranda’s illustrations. You tell me, how can a shutter-bug resist?
A living museum from yester-years, this is a colony that still carries the glory of the Portuguese past. The houses were planned to face the streets with unique large ornamental windows opening onto verendahs. Bold colours were painted on houses constructing distinct identity, allowing the sailors to recognize their houses from sea. The covered porches and verandas were designed for socializing contrary to the Hindu styled housing. A little charming chapel called Sao Tome gives you a sense of camaraderie. Perfect reminiscence of what Goa looked like 350 years ago during the rule of the Portuguese. And right there, as the twinsters pranced along the empty roads, and the husband posed for the perfect ‘natural’ shot, I stood against a Azulejo pillar imagining that I would have just strolled past the house where local priests potentially conspired to overthrow the Portuguese in 1787! Did I just cross a chapel that housed the notorious cross of the Inquisition, in front of which hundreds of Goans were condemned to flames? It is difficult to believe that the neighbourhood that I see today developed haphazardly without much attention paid to its design, and amidst all these historical anomalies.
I have to mention the other adventure of our trip.. searching for the ubiquitous bebinca, on a lazy Sunday morning! Lazy it was for the Goans, and hurried it was for us, as we had just an hour to dash towards Margaon, search for bebinca and kokum juice and dash back to our resort to be able to reach the airport on time for our flight to Bangalore. Its amazing how we(without planning) sometimes make dreams for our children come true! Like their first bike ride.. ‘hamara Bajaj, style! Margaon is a Portuguese word that means ‘the village of religious monasteries’. It used to be a quaint temple town before it was conquered by the Portuguese in 1543. A mini- Andalusia, so to say, where the Christian conquest destroyed Hindu temples and built churches on them. There still strives a Hindu colony, where life spills out from each of the patios. Our little ride through the quaint contoured lanes of the old market were such a pleasure. The church of the Holy Ghosh was abuzz with folks attending Sunday mass, and if you paid a little attention, you could hear the hymns from inside, as we circled the church..
Goa is where holidays come to life.. its been a place that me and Raj have loved. We have gone back into our favourite hide-outs every now and then. So we did have to go back. Only this time, we had family, and a set of two that were extensions of our own. Little swallows who fell in love with the sea, the salt in the air and the waves that gave their restlessness a tough competition. We went with my dad and mom, as colourful still as this little beach town and the vibrant neighbourhoods it has.
Much has changed, yet some things still remain like little captive pockets of nostalgia. There’s still the Goa where if you run out of petrol in your bike, and you know a local or two, you can still get petrol poured by the most matronly elderly lazy, who discreetly brings the bottle out when you beep your horn in front of her old Konkani home. There are still communities next door, where families cook together for a big party- children to octogenarians.
There is still the Goa, that has serpentine roads, across dark paddy fields, with twinkle of boat lights when you get closer to the sea. You can still find little stand alone shacks in lesser known beaches with good Goan food and moon-beams that fall like a faulty lighthouse streak on the violet waters.
Driving the roads that interlock the central Andalucían cities, ones flanked by endless fields of ornately positioned olive trees, majestic rugged mountains, limestone cliffs, white villages and slices of turquoise waters in between, you cant help but realize that there is something always more exciting and adventurous about exploring unknown grounds by car rather than trains or buses. Itineraries can be created at your own pace and comfort. And there we were….on our little road-trip in southern Spain!
Some are hidden in fog-shrouded mountain valleys, others look out to the Mediterranean, others still rule the farmland from atop rocky hilltops. From the road, all look like the perfect incarnation of the whitewashed southern European village fantasy, sprinkled with pale pink fruit tree blossoms and bright purple bougainvillea creepers in sprightly Spring. Within their cool, hushed alleys lie centuries-old monuments, many reflecting the region’s history as the last stronghold of Islamic domination in Europe before Christian armies reconquered it. All feature clusters of whitewashed houses, narrow, winding, cobblestone streets, and ornate churches atop cliffs and river gorges, and offer rolling views of the sierras (hills) below.
Sure, they’ve got charm, but here you’ll also find Andalusia’s famous sherries, miles of wildflowers and olive groves, and about 1000 years of history. While they all have different characters, the Pueblos Blancos share a common history: the transition between Moorish and Christian rule.
The Towns were originally built and settled by Berber farmers from North Africa who came to Andalusia between the 9th and 10th centuries, the early heyday of Moorish rule. While the Moors were in charge, these farmers peacefully worked the valleys; by the late 11th century, when the Christian Reconquest began to topple the Muslim kingdoms in Northern Spain, these farmers saw the logic of heading for the hills. Choosing the highest vantage points (some of which had already been the sites of former Roman settlements) and enclosing their streets of Moorish-style whitewashed homes in fortified walls, they found safety in their isolated pueblos.
But not forever: the armies of the Reconquest could be seen from the hilltops of the White Towns, but not ultimately stopped. And, so the Christians marched to their towns. And the rest, as they say, is (indeed) history. Every one of the towns today, has an ornate church, and in some cases, also a convent and/or monastery that has been built on the sites of former mosques.
Quaint little Arcos: The first glimpse of the Arcos (de la Frontera) clinging like snow to the crest of the sheer Peña Nueva cliff in the Cádiz Sierra mountains mesmerized me. The perpendicular rock face soared almost 90 degrees from the bank of the Guadelete River into a blue sky, patched with irrationally spectacular formations of clouds. Spread at its feet were green fertile plains stretching to the sea, and winding, serpentine roads .The stone walls of a castle and a church tower, both standing on this mountaintop since the Middle Ages, are clearly visible from the valley below. Driving from the new town at the bottom of the mountain to the old town at the top was alarming and heart-jerking with too many ‘ are you serious? ‘ moments in between, as our tiny car zoomed around hairpin turns on steep, narrow cobblestone streets, some only two yards wide. We should have probably parked our car at the bottom, and walked up. But Bengalis that we both are, who on earth would be prepared to schlep up a stone-paved hill, and along dipping, rising, narrow, winding streets to see what there is to be seen?
In other words, this was a good day for my friend to show off the power of her orange sneakers!! And every once in a while pinned herself against the white walls, her gracious swan like neck extended upwards…in oozy anticipation of that special someone to…
Arcos is one of those rare fairy-tale places that is much better than what you imagined. Green plains, austere beauty of the medieval buildings and colorful tiled courtyards filled with red geraniums. The view from the Plaza del Cabildo at the very top of town is staggering, across the broad, fertile river valley far, far below, celebrated in ancient ballads for its horses. To the other side, the ridge overlooks the Lago de Arcos .If you follow the aromas, like we did you will end up in quaint little restaurants serving local specialties such as salmorejo, chorizo and paella. A month after I made my sojourn to Arcos de la Frontera, partly bounded by the Guadalete — named for the mythical Greek river of forgetting, I still cant explain how unforgettably pretty this little village is! We prayed that someone would hopefully open their door and we could politely glimpse their narrow, colorfully-tiled entrance and shaded inner courtyard full of potted plants. Instead, we saw the home entrance of a young local couple, arguing out in the street possibly over who was going to park the car after having been to the market! Spaces are at a premium in this small, ancient layout, you see. Its founding fathers could never have imagined automobiles, so its residents risk scraping their own on stone walls every day…but when you drive a car through these roads and spot a vespa or two in these alleys, it makes it more believable!
Bonny Grazalema: In between Arcos and the next town, we stopped at Grazalema and for a coffee and a chocolate croissant. Inspite of its size Grazalema actually feels like a small town. Maybe that is because of its relative isolation from other towns and villages. It is, of course, a village. But what a pretty village! The sleepy village of Grazalema, nestles in a high altitude valley beneath a giant lump of limestone called Peñon Grande. It may be sleepy but the location is all drama. And the village square, the largest and the first you encounter( rounding up as your car park) is the tiniest piece of charm I have encountered. It contains Grazalema’s biggest church and is strewn with tables and chairs placed by the adjacent bars and cafés. We Bengalis love this kind of ‘free’ sunny balconies! A perfect place for an ‘adda’.
The streets aren’t too wide, houses have handsome fronts and the old mansions look very solid and affluent with their colourful tiles, ornaments and potted plants. Sitting around all of this undoubtedly made it into our favourite sun-trap during our trip! Just at the corner of the square, is the Sabores de Grazalema. The little tuck in of a shop is a treasure trove of Spanish hams and other cured meats, along with fruit conserves and chutneys and even honey from the Sierra de Grazalema. From sipping a cup of tea in Dolly’s Tea Shop in Kolkata, to a cappuccino in Grazalema, we have come a long way, Mst!
(Gorge)ous Ronda: To ask whether the Andalusian town of Ronda is spectacular is somewhat akin to asking if Julia Roberts is a pretty woman!
Perched on an inland plateau riven by the 100m fissure of El Tajo gorge, Ronda is Málaga province’s most spectacular town. It has a superbly dramatic location, and owes its name (‘surrounded’ by mountains), to the encircling Serranía de Ronda. Reminiscent of Roman architecture, the Puente Nuevo was considered an engineering marvel in the 18th century, neatly closing a perilous gap over the 330-foot deep Tajo Gorge. Sadly, the bridge’s architect fell to his death here during an inspection; he would be joined by many hundreds of people from then on. This was a popular spot during the Spanish Civil War from which to throw dissenters on either side of the battle.
Its existing old town, La Ciudad (the City), largely dates to Islamic times, when it was an important cultural centre filled with mosques and palaces. Its wealth as a trading depot made it an attractive prospect for bandits , and the town has a colourful, notorious and romantic past in Spanish folklore. Imagine how else will a village with limited real estate possess a museum dedicated to bandits! We didn’t visit that. But what is more note worthy is the Parador in which we stayed. A new term I learnt while planning for this trip- The paradors of Spain. In 1910 wheels were set in motion to develop a state-run hotel network in Spain to accommodate travellers and holidaymakers and to improve Spain’s image globally. Most are set in historic buildings of historical significance such as castles, palaces, convents, monasteries, fortresses and hospitals, so its not at all difficult to romanticize about the grandeur these buildings would have possessed in its working days!
So what if the Parador de Ronda didn’t give me a room with the view of the gorgeous gorge.. ? Late at night when the midnight sky with the sparkling stars were just about to make me go “wow”, I heard the clink of an eatery being cleaned down below. I peek. And, right below my balcony is the place from where I just returned after a spectacular Allegria being performed by Edward, Matilda and Molina.
At shut down, when guests have left and the place is being cleaned up, floats in strains of haunting music. Music made by musicians for themselves. The real kinds. Edward’s playing the guitar as if he is possessed. Matilda dances with the passion that only gypsies can show. And Molina has a voice that can either drown you in her sorrow or make your heart prance in joy like a child.
So…if that was my lullaby to sleep that night, from down below from El Quinque, who am I to complain?
Whilst it only had been a fleeting visit to a region whose history might probably take the duration of another millennium to unravel, I left feeling as though hundreds of stones had been left uncovered.
But while time marches on and modernity continues to encroach all living traces of once prominent history, one can’t help but feel Andalucia’s antiquity will always live on through the ancient secrets that lurk at every corner of its dated cities…
“From where he sat, he could observe the plaza. People continued to come and go from the baker’s shop. A young couple sat on the bench where he had talked with the old man, and they kissed.
‘That baker…’ he said to himself, without completing the thought. The levanter was still getting stronger, and he felt its force on his face. That wind had brought the Moors, yes, but it also brought the smell of the desert and of veiled women. It had brought with its sweat and the dreams of men who had once left to search for the unknown, and for gold and adventure-and for the pyramids. The boy felt jealous of the freedom of the wind, and saw that he could have the same freedom. There was nothing to hold him back except himself. The sheep, the merchant’s daughter, and the fields of Andalusia were only steps along the way to his personal legend”– The Alchemist. A perfect allusion for me to remain attracted to Andalucia the way I have always been.
I don’t understand the language in Spain, nor the songs they sing, but I can feel the intensity that it communicates. I stay miles away from there, but tremendously attracted to the notion of duende, the elusive spirit of Spain. Duende loosely translates as a moment of heightened emotion experienced during an artistic performance, and it can be soulfully evoked in Andalucía if you mingle in the right places. I felt while listening to an organ recital in a Gothic church, or the rush of adrenalin in the spontaneity of a hit-or-miss opportunity in catching a flamenco peña. And that rush is heady. I felt it in the scent of orange blossom, the thrashing sound of the flamenco guitar, the glimpse of a white village perched spectacularly atop a crag: memories of Andalucía will stay with me like collected souvenirs except that its priceless.
Andalucía, despite creeping modernisation, remains a spirited and passionate place where the atmosphere – rather like a good flamenco performance – managed to creep up and tap me on my shoulder when I least expected it. A dream trip with a soul-sister. With non-stop undisclosable stories that will go with either of us to our graves. Those stories cannot be published. But these can be. Stories of Andalucia. A series of stories within a story, but still divided into two parts so that you don’t get bored! A first for me, but that was the only way to get it all right!
Saucy Seville. Like all great cities, Seville has historical layers. Roman ruins testify the settlement’s earliest face, memories of the Moorish era flicker like medieval engravings in the Santa Cruz quarter, while the riverside Arenal reeks of lost colonial glory. Yet, one of the most remarkable things about modern Seville is its ability to adapt and etch fresh new brushstrokes onto an ancient canvas.
On our way from the airport it turned out that our taxi driver Carlito was a guitarist, explaining why he played such great music for his passengers. His taxi smelt of orange blossoms, and he spoke with the sweetness of a caramel flan. Our little hostel was at the entrance of the Barrio Santa Cruz,; and a narrow cobblestone corridor led us to it.
A bright central patio filled with natural light, tiled floor, little coffee tables, and shelves with books welcomed us. Our agenda was simple in this city. Getting drunk on bright red sangrias; allow the natural intoxicating smell of orange blossoms to drive us giddy; walk hand-in-hand with ropeways of fuchsia bougainvillea on musk-melon coloured walls; go crazy trying to play detective figuring out where these melancholy strains of the flamenco guitar by street musicians are emerging from ;sample delicious tapas on wayside colourful tables that tease our tastebuds..and saying ‘hello’ to interesting strangers who can become friends with a single ring of “cheers”! Green tick for all..we were definitely in Seville!
Seville, like the other Andalusian cities of Cordoba and Granada, is a wonderland of fanciful Moorish architecture, the result of Spain’s 700-year occupation. It is a city for aimless walking, with most of the sights gratefully grouped down by the river and cathedral, the third-largest in Europe after St. Peter’s in Rome and London’s St. Paul’s. This is a city with attitude and you must allow it to dominate you. Let the narrow streets lure you and take you in their stride. These avenues are tight and twisting, sometimes turning on a dime, sometimes expanding and then contracting, and then endlessly and surprisingly opening up to new plaza. Some plazas are open and spacious, while others offer little more than a few benches, a fountain and a handful of orange trees providing a welcome canopy beneath the Spanish sun.
The famous Reales Alcázares de Sevilla or the Alcázar of Seville, is an old and expansive building that was originally a Moorish fort that was repurposed into a royal palace. Seville’s local royal family still lives in the Alcazar’s upper levels (making the structure the oldest European palace still in use) while its lower levels and extensive gardens are open to the public for a modest admission fee.
Alcazar and the Cathedral done, we spent a night wandering aimlessly in the Barrio and then to Triana. Sometimes with chuckles. Sometimes barefooted. Sometimes loud. And sometimes in whispers. The bridges still look lovely. The water still looks inviting. And the lovers still kiss. We left the little town with a smile in our hearts.
Contagious Córdoba lives in the shadow of its monumental past. During the 10th century, it was the greatest capital city of Europe, surpassing Paris and Rome in its academic, architectural, and artistic achievements. This fascinating Andalusian city is still a kind of western Mecca because of La Mezquita. As impressive and surprising Cordoba presents itself to today’s visitor, as impressive and surprising was its past. Not many know that in 11th century it was one of the most important capitals in Europe. People of the most different cultures and religions – Jews, Muslims and Christians – were living peacefully together, and important philosophers, scientists and artists emerged from here. Back then, it accommodated 10,000 worshippers, being second only to Mecca as a pilgrimage site.
“History is written by the victors”- that history can be a function of power, the Mezquita demonstrates this wonderfully. The building is a spellbinding maze, where horseshoe arches and columns seemingly cascade into infinity. The atmosphere is mysterious, somber, and, despite its impressive size, strangely unimposing. Built in the eighth century, Córdoba’s Mezquita is known for being one the the largest (former) mosques in the world, and among the best specimens of medieval …Islamic architecture.
The building’s official name today is the “Holy Church Cathedral of Córdoba” (Santa Iglesia Catedral de Córdoba), and it continues to operate as a Catholic church which it became in the thirteenth century following the reconquista of the city. Soaking in the imminent layers of cultural influence in the architecture, I couldn’t resist the ray of straight light that cut through the coloured glasses, straight into the soul of the building. My moment of truth. And with that I said a little prayer – a little hope coloured likewise with rainbow hues, that one day, like this institution, all colors of our different faiths will live in harmony and live as one.
Dramatic, stark, challenged and bold interiors. Outside, the orange trees in the exterior patio flaunted white blossoms and the April heat of the Cordoban Spring was surprisingly refreshing!
The Judería (old Jewish quarter) is a charming labyrinth of narrow, winding streets; quiet squares; and whitewashed houses featuring colorful flower-adorned patios. You can only really appreciate the scale of medieval Córdoba by wandering its tight, whitewashed streets. The Judería or Jewish quarter is stunning! As I wandered in the myriad of tiny lanes and marvelled at the beautiful flower covered patios, I knew I would fall under Córdoba’s spell. I’ve never found anywhere more atmospheric, where you can simply wander around, losing yourself.
Patios have a long tradition in Andalucía, thanks to the painfully hot Mediterranean climate. In ye olden days, houses were usually built around an inner courtyard with a fountain and well in the middle, with an entrance to the street. They are usually two stories, with tiled or clay floors, a staircase, and arches with balconies or windows overlooking the courtyard with the typical red baked clay tiled roof. Sometimes they are covered with fabric to give shade in the summer or keep out the rain. Nowadays, they are famous because the walls and ground are covered with overflowing colorful flowerpots. Talk about sensory overload!
Galvanic Granada: If Granada is calling- its allure is hard to ignore!
Internationally revered for its lavish Alhambra palace, and enshrined in medieval history as the last stronghold of the Moors in Western Europe, Granada is the darker more complicated cousin of sunny, exuberant Seville. Humming with a feisty cosmopolitanism and awash with riddles, question marks, contradictions and myths, this is a place to put down your guidebook and let your intuition lead the way – through the narrow ascending streets of the Albayzín and the tumbling white-walled house gardens of the Realejo quarter.
Elegant yet edgy, grandiose but gritty, monumental but marked by pockets of stirring graffiti, 21st century Granada is anything but straightforward. Instead, this sometimes stunning, sometimes ugly city set spectacularly in the crook of the Sierra Nevada is an enigmatic place where – if the mood is right – you might find something that you’ve long been looking for. A free tapa, perhaps? An inspirational piece of street art? A flamenco performance that conspires with the universe to make sure you can attend it, and the time where you drown in the intangible spirit of duende!
It would have been almost sacrilegious to spend an evening in Granada without visiting the oldest flamenco club in Spain. Inaugurated in 1949, the Peña (Peña Flamenca La Platería) was the first of its kind, a place run by flamenco aficionados with the aim of supporting and nurturing the art rather than making money. I knew that the Peña only throws open its doors on Thursday nights, and I was shattered when I found out that it was booked till the brim for that only Thursday I would be there.
But the universe does conspire..(I did say earlier ,that it was the Alchemist ruling me all the way, didn’t I?)
For every bad thing that happened, a silver lining cleared the way. A dead phone, saved by a couple from Kerala whose portable power-bank enabled google maps and took me to Placeta de Toqueros, an alley or two above the San Nicolas hill, buried in the Albayzín warren. A sold out show that I walked into and (with a little smile and an earnest plea) ended up at the front row at half price tickets and a free glass of sangria. The thing is tourist offices will never direct visitors towards these places like the Peñ, primarily because they rarely offer a regular schedule of shows, but if you are lucky enough to stumble upon one, you will be experiencing flamenco at its unadulterated best – a raw, uncompromising, wonderfully uplifting spectacle where fervent artists uncover a piece of their soul in every stanza. And the best tip to find one of these pulsating places on any given night, you will have to rely on word-of-mouth, posters taped onto lampposts, or, even better, your own ears – simply wander through the labyrinth of Albayzín and let the music lure you in!
The performance was magical. And although I don’t understand the language, I knew how the first intense slow Siguiriyas was squeezing tears from the singer and the dancer; the second jestful Bulerías was teasing and cheeky; and the third happy and playful Alegrías was playful and filled with joy that can come from the gut. It is almost arousing and ineffable..
I have been a dancer myself and I have known dance very closely. For me dancing next to someone who’s singing is a very emotional thing. I could imagine the impact and the transcendental experience, one can feel by something emanating from someone else,someone who is not under your control- like the powerful voice of a singer. You become sensitive to the song. It can emotionally affect the way one dances… and I have experienced that. I saw something similar at the Pena. A singer with a powerful voice, two meters behind the dancer, sings to her stretching his arms towards her, it has to be very touching… and so she lives the soleá, the seguiryia or l’alegría in its truest form. Its like a current that’s running through her whole body. She is aware, but not so aware that she cannot lose herself a little bit. That’s the show. That’s what I took away. The feeling…and not the visual spectacle.
El Duende . Famous Andalusian writer Federico Garcia Lorca described it as “a mysterious power that all can feel, but no philosophy can explain”. “To find el duende there is no map nor exercise”, he said. And when you experience flamenco you understand exactly what he means. You barely need to understand Spanish to understand the sentiment – the rhythm in the song, the rise and fall in pitch and the quickening of pace, the movement of the dancer as she conveys sorrow or joy.
I think Paris is schizophrenic. One is the city that exists in my head that comes from the hundreds of guidebooks I have read up and ‘top-10-favourite’ lists I have browsed in the Internet. Its an impression created by reviews in Trip advisor and hotel rates on Airbnb. And Rick Steves. It’s the city of the sights. The museums, the Louvre, the Monalisa, the Eiffel. And that’s the image I would form naturally before I ever visit Paris.
“I guess it goes to show that you just never know where life will take you. You search for answers. You wonder what it all means. You stumble, and you soar. And, if you’re lucky, you make it to Paris for a while.”–Amy Thomas
The other is the city that I see when I visit Paris. The surreal image that has been created by watching movies, reading love stories and listening to French pronounciations. One that surprises me that the long distances seem quite short actually; the enormous boulevards and pavements that are considerably wider than the roads; the naughty temperatures that seem to make a recorded 8 degrees in the evening seem warmer than the 16 degrees in the afternoon; the contrast between the bright patisserie, its even brighter furniture and the more underground areas or the grey and cream buildings from the era gone by that amazes me; the constant sound of music in my ears, even though there is silence.
These two cities can never be the same. Wandering the streets of Paris, I always forget all about the image I would have formed before my visit. Instead, it is replaced by reality: the Bohemian streets leading up to the Montmartre; our silhouettes framed by the peach and steel Renaissance architecture; the spot of a red flower peeking out of a window sill; the ornate street lamps against the mauve sunset that fixates my eyes; the river, like thick silk, draping and flowing when the tour ferries slice through the waters; or the small tables outside the cafes from which customers observe passers-by as if they were at the Grand Opera Garnier, watching a Mozart being performed.
But I get scared- what if, when I return home, Paris turns back into that city in my head, perhaps slightly modified by a few previous experiences? What if, the idea of head-over-heels romance, of dim lights, drunken nights, sheen of cobblestones under the rain, glisten of the slice of dusk light falling on the Sienne, does not come back to haunt me? What if it does? And, what if it never releases me of my wonder, debating whether what I saw while is for real, or is our mind playing games with us, fusing reality with the image in our heads?
That’s why I must always return.
And I did. A little trip this Spring. When the city is pink like a candy-floss with the cherry blossoms, summer sorbets, pink bonnets and bright nail-polishes! Predictably, the city pokes me and tells me that it never wasn’t ever about the Louvre, Sacré-Cœur, Notre Dame, or any other noteworthy site. Rather, it’s about the invigoration she will make me feel, when I walk the narrow streets of Saint-Germain-des-Prés, when I aimlessly watch people in the Jardin du Luxembourg, when I peek into strange galleries with stranger art on Rue de Sienne or Rue Jacob or simply discover a new arrondissement. So in summary, here’s what I did in Paris, this time when I returned: Anything. Everything. Nothing.
But even then, there are little things among the ‘nothings’ that I knew I needed to do, when I was in Paris. I said “bonjour” , no matter who I was dealing with. It is the custom. Walk into any shop and say “Bonjour” and see the difference. Without this magical word, you won’t be treated as nicely, I promise. Top it up with a “merci” and “au revoir” and let the magic begin! These are powerful words. Very powerful. Like, real power. I did the bisous, one air kiss on each cheek thingie- its a question of integrity, you see! And I smoked a cigarette!
The cigarette is as quintessential to Paris, as the vada-pav is in Mumbai. It is an art, like most things are in this city. You smoke with style. You kiss in style. And even if you are a hair-cutter in a saloon, you do that with the panache of an orchestra.
Which reminds me to tell you, that you must experience an Opera, if you haven’t already. The Opera Garnier is a building that evokes magic. Boasting an ostentatious Baroque design, the Opera Garnier is one of the most extravagant representations of Second Empire architecture in France. It was so easy to loose myself in its silent corridors; amazed by its rich architecture, and spellbound at the opulent decor. As was easy to imagine the swish of crinolines as I strolled through spaces filled with sparkling mosaics, colorful marble columns, and gold-leaf flourishes. It was a performance by the Academie.. a presentation of music by Mozart. Unforgettable, and etched to my memory.
You essentially need to be absent-minded, stroll, wander with an urban flare, casual and elegant at the same time-yet, do that with style. It is something the French call flânier, the concept of actually walking around a city to experience its every true attribute , instead of planning an itinerary. Observe the flirtatious exchanges taking place in sidewalk cafés, and walk off that extra pain au chocolat that you couldn’t resist! Here is my little cheat sheet for what stays in my memory from Paris…
- Cheese. There is nothing like the quality and the variety of choices. Cheese is not just food. It’s art noveaue!
- Croissant. Have you ever had a buttery, flaky croissant from the bakery first thing in the morning? It is life changing.
- Crepes. With Grand Marnier or Nutella. Who knew you could even get drunk on them? The first bite into a a crepe laden with the orange liqueur..and there’s that buzz!
- People dress well. Wearing yoga pants in public isn’t acceptable. You put on lipstick just to go around the corner to get bread!
- The city is beautiful. And, in Spring, it is pink. Candy floss pink! Light reflects off the white stone buildings in the most amazing ways. Even the moss around the old buildings look like it’s been manicured !
- Beret. Such a French hat!
- French toast. Nothing like what you are used to in India!
- Verbs. The French language has 14 verb tenses. English has 6. Go figure!
- Art. Even graveyards of Paris turned into a touristic attraction because artists were so in love with Paris that most of them decided to be buried here.
- Metro stations. Some of them are frames in their own rights. Louvre-Rivoli- whose station font, lighting, and featured artifacts makes you feel like you’re in the museum before you even leave the station. Or Arts et Métiers station, which is lined in copper and feels like the interior of a submarine; evoking Jules Verne.
- Macaroons. You haven’t tasted Paris, if you haven’t had a macaroon a day, baby!
- The Eiffel Tower sparkles. It really sparkles!!!
- Comics. French comics kick quite a lot of ass. They are called bandes dessinées. They are more expensive, larger in format, come on nice glossy paper, and are hard bound and often very erotic
- Sunday isn’t the best day of the week. This is purely for a visitor. ‘Cos I am sure the living-in Parisian revels in the glory of this slowness and unavailability! Stores close early or sometimes never open. Or have inconsistent and weird hours.
Finally when you learn how to correctly pronounce The Champs-Élysées and actually feel like a true Parisian while saying it, or can describe to a passer-by that the neighborhood you need to reach is Miromesmil, and they understand your French accent enough to direct you there, you know you have lived Paris fully.
Let’s face it — the thing I like best about London, is that there is always something new to discover, no matter how many times you have visited the city. There is an urge every time to see the city through new lenses. Last time I wanted to see it in black and white and capture the familiarity it builds around you. It dealt with knowing little secrets, a little history and a little trivia. But then, I could afford that because of the luxury of time. This time it was a three day stop-over, but the urge in me to discover something new took over yet another time. So, this time it was a new and absolutely fascinating neighborhood, and a hell of an unique restaurant that I stumbled upon.
Just north of Soho, near bustling Oxford Street, sits central London’s hidden neighborhood: Fitzrovia. Home to louche, boho types in the late 19th century (the Pre-Raphaelites and Oscar Wilde lounged in its bars), Fitzrovia’s leafy streets are lined with Edwardian-era apartments, neoclassical mansions, and onetime warehouses. The locality was first developed by Charles Fitzroy, lord of the manor of Tottenhall from 1757. ( You guessed right! The bordering tube station and the road Tottenham Court, is indeed derived from this name).
Fitzroy built the neighbourhood for the upper classes, but they soon migrated south-westwards to Belgravia and Mayfair neighbourhoods, forcing subdivision of the aristocratic houses into workshops, studios and rooms to let. Immigrants from France and neighbouring countries crowded in and helped establish the district as a centre for the furniture trade by the end of the 18th century. In fact, back then, George Bernard Shaw lived with his mother at 37 Fitzroy Street in the early 1880′s and then in Fitzroy Square from 1887 until his marriage in 1898. So, you can very well imagine that some of the better contributions to the arts—poets, designers, and musicians did emerge from this central London neighborhood’s dimly-lit public houses, music venues, and speakeasies. Closer ‘home’, the 189m tall BT Tower is roughly in the centre of the neighbourhood.
An ocean of concrete, industry, telecommunications, fashion, advertising, art houses, residential facades with a whiff of bohemia to it. A hijibiji of sorts. Chaotic and evocative.
It is in this neighbourhood, that I discovered Archipelago. Along with the lovely Fiona, a pleasant little walk led us to this restaurant. It offers a menu which animal rights activists would kill for (literally kill for). Actually if you don’t eat animals, just look away now.
The experience starts from the minute you walk in.
(It really starts earlier that day when you receive a call from the restaurant giving you your secret password… but that only happens if you answer your phone.. !)
Set up by South African Bruce Alexander, 11 years back, who wanted to move away from London’s ‘samey’ restaurants, it sources its food from all over the world – crocodile from Zimbabwe, Kangaroo from Australia, Gnu from South Africa and locusts and crickets from the rather less exotic Isle of Wight!
Wooden tribal masks, carved elephants and peacock feathers adorn the walls. A blinged-up Buddha in a sequined crop top watches diners from a corner. On the table, a treasure chest awaits with the menu printed on a tea-stained scroll. It’s rather like stumbling into the attic of a well-travelled but slightly eccentric aunt! Snuggled deep within the winding roads between Regents Park and Oxford Circus, this exotic eatery offers global delicacies of an exciting, stimulating and often unexpected nature. A truly hidden diamond and one that not many Londoners are familiar with, Archipelago will make your jaw drop, your mind dream, and your eyebrows curl with every stunning plate.
It’s a bold claim but the 35-seater restaurant has undoubtedly been a success. It’s never had to advertise – word of mouth being a powerful enough tool to drive people through the door – and it’s even seen some famous faces. I read somewhere that Prince William and Kate had an intimate soiree there (well, as intimate as it can be with four bodyguards).
So with a glass of rose in hand, it was time to sink our teeth into the food. First up, crocodile- very emphatically called ‘Cayman Islands’. Creedon- the chef who trained as a classical French chef , as his previous engagement, has effectively tried to fit as many different cuisines on one plate – crocodile from Africa, Thai curry paste, Chinese plum sauce and vine leaves from Greece – and somehow it works quite well.
This was, of course, a first time for me, and I think the taste, soft and flaky, is somewhere between a chicken and a lobster. The penang curry marinade and the slightly bitter vine leaves it’s wrapped in kept it moist and salty, perfectly complemented by the deep plum dipping sauce. It was laid graciously on a bed of samphire, another new vegetable that was on my discovery platter that day. Its a plant of the parsley family, which grows on rocks and cliffs by the sea, with aromatic leaves and a twig like appearance. Resembles the Rajasthani ker sangri, if anyone has had that before?
Fiona played it safe all along with her ordering, except for the crocodile that we shared!
She ordered chicken. Saigon Seduction is – quite prosaically – an Oriental chicken curry with poppy seed rice and deep fried diced potatoes.
Then came the kangaroo, in skewers, aptly called ‘Hot Marsupial’
I have to admit I was a bit nervous partaking in this strange new meat eating experience. However, I decided to give it a gander, and I am happy as hell to have hopped up to the plate. I wasn’t given a steak knife, and was cheerfully surprised at the ease in which I cut the meat with a dinner knife. I had to clear my mind of the image of some jumpy animal jumping around in the landscapes of Australia as I brought the fork up to my mouth. But, upon first chew I was elated to be partaking in this marsupial dining venture!
The meat was seared to a beautiful rare/medium rare and beautifully tender. It created a sumptuous savory bite that damn near melted in my mouth like butter, but not quite. The kangaroo itself was much less gamy than I had anticipated, I thought it would resemble venison, or even rabbit. It was a soft, luxurious flavor that harmonized extraordinarily well with the pepper marinade. Again, there were many continents and countries residing on this single plate. The roo from Australia, the red onion farofa from Brazil( a carb component made of toasted cassava flour mixture, with few nice spices), and the hot and sweet guandilla pepper salad from Spain, all packed in delicious goodness! With that was candied beetroot. I had fun pairing each bite of roo with a different ingredient from the salad- the sultry meat and the burst of the unexpected flavours of these accompaniments. The contrasting components brought out different characteristics of the kangaroo with every bite.
We skipped the exotic sides of love-bugs and silkworms, and dashed for the desserts. Not everyday do you hear this sentence in a restuarant in a serious tone : “We’re out scorpions and beetle, but we do have some crushed worms”. Thank God! Between us, we had two ‘safe’ desserts’- one was called the ‘Pharaoh’s treasure’ and the other innovatively called ‘An Englishman abroad’. The first one was a chocolate and cardamom soufflé served with white chocolate and curry ice cream and topped with 24 carat gold leaf. Adventurous? Or majestic? You tell me ! The other one was a jelly made of hibiscus, acai berry and raspberry, served with avocado custard and pistachio cream. As lovely as the lovely Fiona!
All this while, we were seated in plush red velvet armchairs. The interior kept us hooked between meals, with peacock feathers, tribal masks, golden and jewel-encrusted trinkets, and miniature palm trees distracting us every now and the, and making up just some of the painstakingly detailed pan-global décor that dominates the two small dining areas.
Archipelago transports you to an oasis that could be taken out from a book. And, some moments will be etched in memory in a strange sort of a way. Like the waiter with golliwog hair who stared straight into Fiona’s eyes with a questioning look on all that Fiona uttered-including a replacement of fresh cutlery.
At the end of the restaurant the large golden Buddha which looks down on guests with a calm, meditative gaze and leaving you to question your everyday necessities as you stumble off into the night, satisfied yet certainly eager for more…
If you haven’t heard of this ancient place, then you should. Banaras is the most visited pilgrimage destination in all of India. One of the seven Holy Cities, one of the twelve Jyotir Linga sites and also a Shakti Pitha site, it is the most favored place for Hindus to die and be cremated. Myths and hymns speak of the waters of the Ganges River as the fluid medium of Shiva’s divine essence and a bath in the river is believed to wash away all of one’s sins.
“Banaras is older than history, older than tradition, older than even legend, and looks twice as old as all of them put together”- Mark Twain..
“Kashi” as locals calls it, is a city that should be savored slowly- almost like the ‘paan’ that comes associated with this name in its prefix. It is a city that you either like for its character or dislike for its dirt. So, while packing your suitcase, pack patience. Because, if you don’t wear that, it will be hard for you move along or experience it.
Be it, for allowing the musky smell of camphor to entice you, the sounds of hyms and chants to invigorate you, or even the ability to maneuver through the fresh cow-spills on the road! But once you give a margin to the filth and traffic, you will start liking the place. There is astonishing energy. There is a vibrant spirit among the people who call themselves as “Banarasis” whether they are rickshaw pullers, merchants or rich. There is an art of living, both passionate and carefree- “masti”, “mauj” or “Phakkarpan”. There is an enjoyment of life without ostentation.
If you had forgotten your simple childhood of mango trees and licking fingers with ‘churan‘, it re-teaches you that life is indeed about the simple pleasures– a bath in Ganges, simple ‘poori-subzi’ for breakfast, a mouth full of paan (betel nuts and other condiments wrapped in the tenderest and most succulent green leaves), a nap under a tree shade, a tall frothy glass of thandai with a dose of bhang – and you will say your day was fulfilling! The beauty about Varanasi is that one is never a mere spectator. You are always a part of the frame.
Nightlife exists but in a different form – and the soundscape is nothing short of intoxicating! The clang of temple bells ,chants, hyms, often interspersed with the ‘azaan‘ or some Bollywood music. It is an ambience of urbanity, good living and culture all which comes to be synonymous with the word “Banarasi”. Banaras is a place where living and dying are celebrated. A city where death is a celebration, where the netherworld, heavens and earth all meet.. symbolically perhaps representing the three spokes of the trident Shiva, the host god of this city, holds in his hands.
When I was a child I had (and still have) a deep attraction towards the tiny stories that sprung up from the larger mythological tales. This is a city that comes closest to bringing those stories to life. It is said that all great cities of the world lie next to a river, but never has a river changed its course to touch the banks of a city! It is perhaps the holiness of Banaras that makes the Ganga , till now flowing eastwards, suddenly veer north, as if reminded of her origin in the mountains where Shiva lived. Uttarvahini (northbound), is what the Ganga becomes, in Banaras. Life in this city flows along this one eternal river. A river as truthful as truth herself, and as ancient as history itself. At each sunrise,while we sailed past the ghats in our boat on the Ganga, and watched the steps that led up from the water to the shore, come to life, I would immerse myself in letting the stories that I had once listened peeling oranges on my bed in the winter sun, while Dida spun her yarn, come to life.
Like the story of how Lord Shiva saved the demon-king Sukeshi, from the fire stings of the angry Surya(Sun god), by staring so hard at him that the sun god himself hid in a cool talk, trembling in fear. That pond is the Lolarka Kund, in between the Assi Ghat and Tulsi Ghat. In my mind, a dark-blue silk robed Sukeshi, falling along with his aerial city between heaven and earth, folding his hands for mercy, and praying to his Lord Shiva, while his hair flies like the tributaries of the river..a picture so vivid! Assi Ghat hosts the recently introduced program called Subah-e-Benaras, a cultural programs, mostly for tourists comprising of a arati, school children singing hyms and chants, followed by a yoga ritual for everyone. Very touristy, but nonetheless beautiful.
Or the story of Nishadraj Guha, who was the king of Kevati, a small fishing hamlet on the banks of the Ganga. In the Ramayana, when Rama was sentenced to exile along with his wife Sita, and the doting Lakshmana it was here, near this hamlet, that he was dropped by the royal charioteer. Here he tied his hair into the hermit’s knot. They were to start their journey into the forest the next morning. While they slept that night Guha kept vigil and offered them fruits, berries and roots from the forest that would make them stronger for the tough journey ahead. Rama never forgot this act of kindness and this gesture of true friendship. Later when he returned from his exile, Nishad became his coveted friend and was even invited for his coronation ceremony. In honour of this mythical hero of fishermen, the Nishadraj ghat– a congregation point for fishermen and their boats, was built to honour him along with the Nishadraj temple. Fishermen an boatmen consider this ghat a pilgrimage of sorts, so testified Hanuman, our boatman!
A few oars down was Chet Singh ghat which is a fortified ghat with a historical background. Thesite had witnessed a fierce battle between the British troops of Warren Hastings and former Maharaja of Banaras Chet Singh in 1781. It now boasts of an impressive façade with turrets flanking a giant gateway. Not to mention, it is an impressive component of a backdrop for photographing the Ganga skyline!
Every ghat has a story- either mythological, religious or historical. Harishchandra was a king of the Suryavanshi (the Solar dynasty), famous for his piety and scrupulous adherence to justice that he wouldn’t cremate even his dead son without a fee. Named after him, this ghat is one of the two cremation grounds in Banaras. Rana Mahal ghat, Darbhanga ghat– both have magnificient palaces- The Rana Mahal has beautiful Rajasthani turrets and filigree of stonework in its balconies, and the Darbhanga made of sandstone has grand porches and Greek pillars. At the Manikarna ghat lies a dramatic temple, half sunk into the river. Legend has it, that a nobleman decided that he would build a temple to repay the debt that he owed to his mother for giving birth to him and for bringing him up. But the temple tilted and half sunk into the river- since no son (or daughter, for that matter) can ever repay his mother’s debts. Panch Ganga ghat is superbly imposing with the tall minarets of the Dharahara mosque built by Aurangzeb and the cluster of shorter temples around it.
Dusk turns the river bank near Dasashwamedh ghat into an enchanting place, as the wondrous Ganga arati is performed. Wooden platforms are laid out on the ghat and 7 priests take their positions. Signifying an auspicious start of anything divine and good is the sound of a conch shell in Hinduism; this too starts with the melodious siren of the conch. They chant mantras and trill a bell, and several others start playing cymbals and drums and the ‘dumroo‘, Shiva’s favourite instrument. The river, Ganga maiya is first worshipped with flowers, insence, milk, sindoor and sandalwood. Camphor lights a lamp bowl that sets ablaze in brilliance. The smell of camphor and white jasmines, sweet smell of marigold and rose petals fills up the place and you feel heady and almost in a state of trance. Its a choreographed sequence of positions and turns, prescise movements of hands and fingers that carry conch shells, garlands, incense sticks, bells and multi-tiered lamps with the same panache. As the music reaches a crescendo, the whole atmosphere drowns in the richness of sounds, sights and smells. By then the crowd is spirited and almost possessed. “Harr Harr Mahadevaaaa!”
Gowdolia crossing is quite simply the most chaotic spot in Banaras!Rickshaws, scooters, cycles, motorbikes, auto-rickshaws, determined locals, confused Indian pilgrims and backpacking tourists on foot mingle and dart in different directions. If you stood at the centre at looked at any direction, it would seem like two shoals of fish flowing in opposite directions. Magically, each vehicle is keenly aware of its neighbor, and reacts to it. Side view mirrors of two wheelers are turns in at all times. Amidst all this, loudspeakers, alternately broadcasting religious songs and political speeches add to the din. From here you can choose any galli, that you want to explore. The total length of Banaras’s gallis is said to be 480 kms! Narrow labyrinth lanes barely wide enough for two people of ample girth to pass through! These are the cities nervous system, but have building, often three stories high with narrow doors, steep steps,and ornate verandahs on the top, and crammed bustling shops on the ground floor selling bangles, fabric, sweets, souvenirs, charms, God posters and miniatures. Most names of gallis are synonymous with what they sell through it. So there is Kachori galli, Khoya galli,Kunj galli, Paan dariba, etc.
In one such (much hyped and famous), called Vishwanath galli– a galli leading to the Kashi Vishwanath temple, sits Dasgupta, with his 180 year old business of pan masalas and ittar! Generous trials of every kind led me to buy a half dozen varieties from him. Kasturi ittar for Dida, and jasmine for my mother. And, apart from his products being paid in cash, he found his long lost soul friend in our own Balaji.. smearing him with oodles of affection, a strong scented ittar which he promised wont go away before a week! We quickly had to take Balaji to have more helpings of the malai lassi, so that he could forget this ‘act’ as quick as possible!
Banaras is a land of temples. In a country where today political preferences outsize religion in so many instances, it is simply amazing how in the most ancient site of salvation for Hinduism, stands the oldest Hindu temple in the world, sharing a common wall with a masjid. The beating heart of Varanasi, Vishwanath Temple is dedicated to Lord Shiva and is the holiest of the 12 revered jyotirlingas in the country. So much is the austerity, that even its glimpse is said to be auspicious. The mosque alongside is known as the Jnana Vapi(well of wisdom), named after a well of the same name. It is believed that the Jyotirlinga was hidden in this well to protect it at the time of an invasion and the main priest jumped in the well with the Shivalinga in order to protect it. Some say visiting this temple is written in your destiny. Setting step on this ancient site, whispering your wish-list into the ears of Nandi, who is Shiva’s vahaan, does run a chill down your spine. In spite of the rush and hurriedness of the visit, the darshan will remain as of my most coveted ones.
“gaṅgā taraṅga ramaṇīya jaṭā kalāpaṃ
gaurī nirantara vibhūṣita vāma bhāgaṃ
nārāyaṇa priyamanaṅga madāpahāraṃ
vārāṇasī purapatiṃ bhaja viśvanādham ”
(Oh Lord of Varanasi, whose locks look charming with the ripples of the Ganga; who is ever adorned on His left by Gauri (Shakti), beloved of Narayana, the destroyer of Cupid’s pride.)
Our little trip to Banaras helped some of us make new friends. Paradoxically in one of the oldest cities in the world. We together did a lot of things.. plunged into the Ganga off a boat, devoured the delicious tamatar chaat, licked off malaiyo and kesari doodh from earthen cups, sipped kullad chai by the hour starting from sunrise, buy dozens of pretty bangles, haggle over Banarasi sarees, buy ‘prasad‘ at the sarkari bhang ki dukaan, pose for photographs… and finish our meals with the most delicious Banarasi paan!
Long before Dhanush made my heart flutter on the sets of Ranjhaanaa, a movie shot in this city, and long before Deepa Mehta’s ‘Water’ was stoned with controversy, there was an essential urge in me to visit this city; with ghats that are both dreamy and dramatic, poignant and filled with life, majestic, yet timid in front of the might river that has the power to wash away sins. The essential character of the city is in its bonhomie of colours and the bohemian spirit of its people. There is a feeling of the millennia, of the past, and of the traditions which the city carries in its personality.
The pink sunrise in the morning, the golden arati in the evening, staring at the evening sky lying on a boat, as twilight turns into the river-town into an enchanting kaleidoscope..the saffron of the ascetics during the day and the sound of water lapping against the ghats at night. It wouldn’t have been wise to plan our days in Banaras, like it wouldn’t be just, not to visit this place yet another time.
ts in this spontaneity that I fell in love with this city, and its in this urge that I wish to lose myself in its lap discovering the architecture, re-living more stories from my childhood and straying in time, drowned by the spirituality. But then again, I would be in the city of Shiva, the city of light. Could I possibly lose my way?
Never has brewing tea made me more nervous. In fact, I now tremble and take a deep breath before I dare to make that first pour into the teapot. I take extra care with the water temperature for the first brew now. The spectre of burning my tea leaves on the first brew looms. I don’t even dare to use a thermometer to measure water temperature. “Feel it with your heart. Learn it with the palm of your hand and fingers in relation to the changing environment.” – had said a wise man, once.
I am back from a short stop-over at Makaibari, the first ever tea factory in the world, with tea plantations across seven villages. Few weeks back while we were driving the tea gardens through the serpentine slopes of Pankhabari, I wasn’t sure we were quite ready for what awaited us when we reached the factory.
The Banerjee family who owns the estate was such a delight to meet. In his office, Rajah Banerjee in his baritone voice ordered cups of ‘muscatel’ to be brought to us. Served within a few minutes were porcelain cups filled with honey coloured liquid gold, often known as the ‘Champagne of teas’. It did have musky-sweet tasting notes similar to muscatel wine.
What a perfect relaxing colour that was! Tea making is an art, as much as it is a science and they say you need to brew a tea 20 times to get it perfect. This fact is not an unknown one for me, for I have grown up in a family that treats these finer details like religion. Makaibari isn’t a unfamiliar name either. I have clear memories of when Baba would manage a sachet of Makaibari (Makaibari tea was never available in retail outlets- you needed to know ‘someone’ who can get a packet for you) and brew the tea at home with ceremonial precision.
As Rajah Banerjee started to explain to the smallest tea connoisseur of our family(Nyja), that the drink is really a magic potion, the senior most Basu in our group, did the un-thinkable! He asked for sugar.. SUGAR. Rajah Banerjee, in his usual calm charm, looked in my direction and in his resonant voice said, ” When you go home, boil him some water with sugar and make a syrup. That’s what he deserves. Not tea”. Udayan rolled his eyes in disbelief of what just happened. Needless to say, ‘insulting’ tea like this is sacrilegious in itself, but doing that in the office of the ‘king’ of teas is pure blasphemy! Unlike the uninitiated, I knew that.
That, Makaibari cannot have sugar. Unfortunate that I hadn’t coached him well in this subject. Magnanimous, as most kings are, the king showered his forgiveness and Basu was not to be arrested, was the dictum! And, almost as a token of his forgiveness, we were escorted as guests in their sprawling bungalow, up a little hill opposite the factory.
The living room is a space straight out of the sets of Tara Shankar Bandopadhyay’s ‘Jalshaghor’, complete with stuffed pursuits of hunts carried out by generations before, family portraits, carved furniture, bay windows that open out into vast gardens, and a library that makes you jealous. Add to that pretty plates that serve you pink iced pastries that melt like smooth nostalgia in your mouth. And tea from the kitchens of the Makaibari home, for which, by now you know, you don’t add sugar!
Well that explains my nervousness in making today’s cup of tea.
But I am also back from a trip to Darjeeling, a town that hovers along the ridge of the Himalayas with red roofs of its houses cascading down its slopes, and that explains my excitement. Every Bengali’s jia-nostal, to me Darjeeling should be famous for a lot of other things than its tea! It should stand apart for offering the most spectacular view of the Himalayas from any civilized place. For a whole range of powder white that goes on and on across the horizon, there can be nothing to compare with the view of the Kanchendzonga and its mighty cohorts which rise and fall in glistening pinnacles.
During the days of the Raj, or British Crown rule of the Indian subcontinent, Darjeeling became known as the Queen of the Hill Stations. It was a remote settlement of a few scattered villages when the British took over in the mid-1800s. By establishing a sanitorium, introducing the tea industry, building schools, and constructing a railway line, they created a thriving town that provided a refreshing escape from the heat of the plains, with a vibrant population of Europeans, Anglo-Indians, Tibetans, Nepalis, Sikkimese, Bhutanese, and Bengalis.
The first time I would have traveled the winding road from the plains up to Darjeeling, I was a little girl. On a winter afternoon over thirty years later, when I set off on the same road, the smell of the Himalayan air felt like no stranger. The same steep lanes wound between old villas and shops and, in the surrounding hills, orchids and rhododendrons still flourished. A day after Christmas it was, that we headed up the mountains, invisible in the winter mist at first, but proving its existence by popping our ears. The lower slopes of the foothills were polka-dotted with tea bushes, and little villages made up of multi-coloured houses clung to the edge of the steeply ascending road, decorated with poinsettia bushes, bougainvillea and pots of marigolds.
When in Darj, even if all you did was stare at the Kanchendzonga, all day, the experience is nothing less than a symphony. The name Kanchenjunga is derived from four words of Tibetan origin, usually rendered Kang-chen-dzo-nga or Yang-chhen-dzö-nga and interpreted in Sikkim as the “Five Treasuries of the Great Snow.”
In warm morning light, the rampant brush of the sun with its careless spread of emblazoned colours, kissed the tiered audience of low and erratic ridges standing out of a white carpet. And, you get lost in the white. In the afternoon, the whitening sun is so bright and round atop the peak, that you can almost feel its playing ‘tip-the-point’ game. Its an easy view, maybe just marred by occasional afternoon mists.
The sky is blue, and the snow ranges are stark white, dazzling in its pearly brilliance. If you happen to take a late afternoon stroll through the Chowrasta, it partly veiled view tempts you and makes you want to wait for the evening. When the sun is about to set, the mountains wear a glamorous look. Imagine how rich a place can be when it offers a ruby coloured sun, embellishments of topaz, amethyst and amber scattered in a labradorite sky, and jade, jaspers and peridots dotted against pearly white mountains! That’s a business-as-usual twilight sky up in this Himalayan town.
I wouldn’t mind if I just did this ‘business’ for a few days. And hence, I didn’t want to make too many plans. The dumplings had excitement beyond visible measures because like ‘Dora-the Explorer’ they could wear their snow suits, snow caps and gloves! They did their own ‘me-time’ thing.. over the quintessential ‘cha-biskut’ and ‘adda’, often drawing figures on smoky glass panes made frosty with their own warm breath.
I was happy that I could get my red long-coat out of my wardrobe that I last wore in fall in Toronto. And the man was thrilled that his hip-flask was loaded. The first evening back in our hotels was magical. As the valley darkened with golden filigree, and the sky turned amethyst we sat facing our hotel windows and sipped ‘Rus-tea Nail’ (Our version of my favourite Rusty Nail that has Drambuie and Whisky, only served over tea, this time).
We did one tourism-centric thing during our trip which was taking the ropeway across Rangeet valley which we don’t regret. Stationed across a little hillock across the majestic North Point School, the two hour long wait to board the cable car, is definitely worth that investment. The ropeway takes about 20 minutes each side, and plummets down from the North Point to the Takvar Valley tea estate. As the trolley glides over the beautiful hill station, neatly sequenced tea gardens and quaint cottages, what you really get to see are beautiful vistas that make your eyes dreamy and hungry.
The next evening we took a pair of extremely well-behaved children to have dinner at the famed Windermere Hotel. Originally a cozy boarding house for bachelor English and Scottish tea planters during the 1800s, it is now a hotel remembered best by sophisticated travellers. It doesn’t fail to stir the romantic imagination one has of buildings of this nature! And, why not? ‘A room called Alice’ is a single room; ‘ Daisy’s Music room’ is a place for conversations, music and tea by the fireplace and the Bearpark’s Parlour is a lovely sitting area with a grand piano and a fireplace! Dining there was like dining with your extended family.
The day time’s lunch, I am sure would be warm and polite, but the evening transforms the dining room into a candlelit affair, with soft music floating around in the ether. White-gloved waiters with swallow like tail-coats glide in and around the tables serving delectable British and Indian fare and soft conversations flow..
Each evening of the two days we would drive down from Darjeeling to Ghoom. By 5 it would be dark, and the winding path along the ridge would make us witness the splendid colours of twilight. The roads looked so pretty in comparison to their congested day avatar. Trains by night are far prettier than the day in my opinion.
The mountains tell us their story and help us create ours. It’s been two weeks since I returned. But still my tryst with Darjeeling in the warm morning sun remains memorable. Little children with plump apple cheeks who frolic in the sweet winter sun; prayer flags that fly in the mountain breeze, and the iconic steam engine that chugs along the bustling roads in the hilly-town. It simply refuses to fade away in the midst of the hustle, bustle of city I call home today. And in the cacophony of this city, I can still hear the sound of the wind rustling through my ears as I stood on top of the mountain watching the clouds beneath me getting colored red by the setting sun.
I guess, the mountains will beckon again. Soon.
There’s a slight crispness in the early morning air in Kolkata, almost making it comparable to the nip we are so fond of in Bangalore. The after-effects of the strong showers from the last afternoon hasn’t caused Calcutta to give up it’s resilience in coming back with the briny, balmy humidity, even before the clock strikes 8am..
That’s autumn, a season which welcomes to the city the worship of a deity, who, we believe in all might, has slain the evil, and brought harmony and good to the world. It’s the season of amiable abundance; a time for religion, art and business to blend together. Revellers and late night troopers will once again create frenzy in the streets. The smell of something divine will fill the air with the promise of a much-awaited celebration. Crossroads and street markets will be teeming with eager, restless, swearing and overenthusiastic last-minute shoppers. And soon the city will turn into a mix of religious event, a cultural occasion, a music festival, a literary fair, a food festival, a fashion show — all rolled into one. Nothing short of a carnival!
Bengal is in a hysterical excitement to welcome its beloved daughter, Durga, to her maternal, worldly home..the ‘City of Joy’ will now forget it sorrows and revel in its own pandemonium, unmatched by anything else and… live up to its name!
What Montmartre is to Paris, and SoHo to New York, is what Kumortuli is to Kolkata. Nestled in the lap of north Calcutta’ ornamental past, is a potters’ quarter called Kumartuli. Its winding lanes are home to an artistic community that carry on a centuries-old tradition- making idols of the Gods.
Following the British colonization of Bengal in the eighteenth century and the creation of the settlement that would become the teeming metropolis of Kolkata, workers in various industries were allocated quarters. These warrens soon became identified with the activity carried out within them.
For example, in Bengali “kumor” means “sculptor” and “tuli” means place. Separate districts were allotted to the Company’s workmen – Suri-para (alcohol locality) for wine sellers, Coll-tollah ( machine locality)for folks dealing in oiling machines, Choottor-para became carpenters hub, Aheer-tollah – cowherd’s quarters and Coomar-tolly for potters.
It is here in Kumartuli that human hands started giving birth and shape to the divine, over the years. The narrow lanes are now flooded with mud figures, and a bevy of artists bring them to life. And needless to say, Durga Puja is the most elaborate and important for the potters: the rotund Ganesh, the handsome Kartik, the riveting goddess Lakshmi, the serene one Saraswati and the majestic Durga, jostle for space in the labyrinth of Bonomali Sarkar street, the nerve center of Kumortuli. Flanked by cavernous workshops that are packed with large idols of Durga and her four children in various stages of completion, wiry artisans squat on the street, kneading the clay or working on smaller idols, ignoring the attention of curious passersby and amateur photographers.
“You are taking photos… do you have a ticket?” a voice warns me from behind a partially opened door!“You’ll have to buy one.” It’s about 8am in the morning, and the workshops are slowly opening its doors. Sitting atop a wooden tool in a workshop that is crammed with incomplete clay images of the goddess, the elderly artisan, clad only in a soiled lungi, is almost apologetic when he says that and hands over the pink slip, and provides a short explanation on how this is so that there isn’t damage done by careless photographers who aren’t cognizant of where their tripods are poking and kit bags are protruding!
It’s strange how you find art everywhere in Kolkata. Like Rome. Or London. Kumortuli is a great example of how the mundane in Kolkata can be so terribly artistic. It appears making Durga idols is not just the livelihood of the people living in this tiny neighborhood- it is a way of life that embraces creativity .
But the best of creativity springs up from areas that don’t have an ecosystem nor a conducive environment for artists to thrive. And this area is no exception. They create, and they live their lives in shambles. Every aspect is geared to suit their livelihood. Their professions engulf their lives. In every narrow lane and tiny alley you see piles of hay stacked outside homes, bags and bags of plaster of Paris kept in makeshift sheds, mounds of clay lying around.
There are also umpteen number of shops selling shiny accessories and garlands, all of which go to adorn the deity, including fabrics, silk and satin stocked on shelves in these crowded shops. And in-between all this are vignettes of daily life-There is the grumpy , sickle-bent elderly woman peering curiously from within a shack; a little boy in all his agility prancing through the alleyways playing peek-a-boo; an old man in a red and white checkered loin cloth( we call them ‘gamchas’)settles on a stone and pours water from a rusty tin bucket to begin a morning ritual of washing and scrubbing.
The household women hurl an assortment of clothes across makeshift washing lines high above their rooftops which soon begin to billow in the gentle breeze that blows in from the river. There is the friendly younger generation lad using the reflection of a hand mirror to shave his beard while his young doe-eyed bride makes rutis/cooks rice over the ‘unoon‘. And then there are the artists- toiling away at the clay in their hands. Dexterous movements, moulding with expertise; mixing, trimming, chipping, pinching, slabbing, coiling away. Even when they pause to look up, their hands don’t stop! They keep at it…kneading, shaping, patting the clay, mixing water bit by bit.
“This is commissioned by the neighborhood that has the statue of Kumar Sanu in their local park”, says an elderly artist, with thick framed specs dangling precariously at the tip of his nose. “The statue was feeling lonely; so they wanted his wife’s statue beside it!” .. he himself giggled at how preposterous some customer demands can be.
There are about 500 odd workshops near Kumortullly Pally— that are run by families that have been into idol-making and pottery for generations. During the Puja season, they hire extra hands from across the smaller settlements of Bengal because making the idols of Goddess Durga is a grand affair. The goddess, after all, does not like to be presented alone in a pandal: she must be accompanied by her four children, not to mention the lion she rides and the curly-haired, muscular demon she is shown slaying. And with Kolkata extending its arteries and with Bengalis reaching newer shores across the globe, the demand for idols has gone up over the years. ” This one will be shipped to Germany tomorrow”, says Neepa Dey. Another tiny Ganesh idol was being packed, and I was forbidden to click that, as it was due for an award later that week. Kumartuli is known to create close to 4,000 sets of Durga idols every year, and that calls for a lot of work — work that demands perfection, attention to detail and creativity.
Several artists are busy applying clay on the protruding bellies or bosoms. One of them is in a meditative state as he works on the goddess’ fingers. Strewn on his table are a set of clay fingers, each large enough to befit the 12-ft idol. He picks them up, one by one, and delicately runs his fingers on them to impart them his masterly touch, to make them look as human as possible. The Goddess is getting a manicure done, and soon will get a pedicure!
A typical Kumortuli idol, is made of bamboo and hay — the bamboo serving as the skeleton and hay the flesh. Once the structure is ready, it gets a skin of entel maati, a sticky variety of clay procured from the bed of the Hooghly. Once it dries up, the finishing touches are given with bele maati, a finer variety of clay which also comes from the river. The idols are always pre-ordered and never sold off-the-shelf. Every Kumortuli family is rigid about the time, place and quality of the earth picked up from different places in Uluberia, especially where the river flows towards the south.
The special kind of straw used for the basic ‘flesh’. The bamboo comes from Murshidabad and is kept immersed in water near Baranagar so that termites cannot enter the hollows. The painting in of the eyes of the Mother Goddess has ritualistic connotations. “We must take a bath and wear fresh clothes before we begin to paint in the eyes. The oldest in our family gets the honour to do this”, says Madhusudan, an almost septuagenarian artist, proudly smiling and pointing his index finger towards his chest . There is a certain naivety and innocence in the voice of these koomors . They make their work sound like religion. Things like these that amaze and dazzle me every time I visit my city.
Rabindra Sarani, the biggest road, just outside this labyrinth is now buzzing with activity at 10am. Most shops are open. The sporadic traffic lays bare the pair of glistening tram lines stretched out on the road. Running on them now, however, are not trams but the occasional taxi and autorickshaw and, of course, the human horses — lungi-clad, weather-beaten men pulling rickshaws with the strength of their bones. I munch some hot kochuri and spicy aloor dom, hot off the stove. The perfect Sunday breakfast.
Even after so many years of being attached to my city, one would think I am biased. But the beauty actually lies in the fact that it still provokes me to be judgmental. The intense kinds, that you can be, only when you are passionately in love with someone. I realized, my first feeling for Kolkata still depends a lot on how I enter the city. If I come in a train and alight at the Howrah station, I drive into a city that is a captive of its own long-standing demeanor — the epochal bridge, the caterpillar trams, hand-pulled rickshaws, pavements turned into living-rooms and bedrooms by poor migrants, frail colonial-era buildings emitting a whiff of heritage and fade.
It’s a warm and simple feeling. Like a cup of sweet tea in a hill station. On the contrary, if I fly down to Kolkata and take the Rajarhat Road into the city, the landscape is utterly different, and so are my feelings: upscale high-rises, state-of-the-art offices of IT giants, jazzy malls- that make me amazed, cautious and smart. North Kolkata, where lies the roots of the city, is still a stranger to me continuing to awe me like the kid at a toy store. It is still the dynamic living museum of the era just gone by, totally reminiscent in the Calcutta I have seen in black-and-white Bengali movies, while growing up… and Kumortoli was just a perfect example.