This past weekend, we took the ferry to San Francisco and spent half a day at the Asian Art Museum, catching the next-to-last-day of the Yoga: Art of Transformation exhibit. A much-buzzed-about-in-yoga-circles show (there were many accompanying events that drew on the vibrant and diverse Bay Area yoga community), the curators of the exhibit created a compelling narrative in 135 artworks that serves both as visual feast and food for thought, tracing the roots of yoga as a practice of renunciates in ancient India, to its overseas sensationalization in Europe and the US, and present-day popularity, and commercialization, worldwide.
A winding narrative of paintings, sculpture, drawings, photos and video, including South Indian temple-derived sculptures of multi-armed yoginis, pages from a 16th century treatise“Ocean of Life” (some of the earliest examples of asana illustrations), large early-1800 paintings of the chakra system from the Jodhpur court that carry both religious and political associations, and footage of Krishnamacharya and Iyengar practicing asana, very clearly showed how captivating, and widely interpreted, yoga has been throughout the ages. Fittingly, the show culminates with a wall-size piece by Pardon My Hindi, #WhitePeopleDoingYoga in the Education Resource Center.
The Yoga: Art of Transformation exhibition next travels to the Cleveland Museum of Art (June 22, 2014–Sep. 7, 2014).
Beyond such special exhibits, the Asian Art Museum, now housed in the former SF Publication Library that was built in 1917, is truly a treasure trove of Asian art and culture. Every time I’ve gone to a special event here, I take solace from the inevitable crowds in one of the upstairs galleries. This time, after viewing the yoga exhibit, we popped into a gallery filled with Japanese Buddha sculptures and then just stood a while in the beautiful interior court.